{"id":532,"date":"2011-02-20T22:17:02","date_gmt":"2011-02-20T22:17:02","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/"},"modified":"2014-05-27T23:41:50","modified_gmt":"2014-05-27T21:41:50","slug":"cocoon","status":"publish","type":"page","link":"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/cocoon\/","title":{"rendered":"COCOON"},"content":{"rendered":"
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\n\t\t[tabs tab1=TITRES INFORMATIONS ARTICLES]
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\n\t\t\"1.<\/a>\n\t<\/div>\n

\n\t\t\"1.<\/a>\n\t<\/p>\n

\n\t\t \n\t<\/div>\n

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\n\t\tOrchestrations<\/strong> : Herbert Spencer, Billy May<\/a> <\/span><\/span>\n\t<\/div>\n
\n\t\tIngénieur du son <\/strong>: Armin Steiner<\/span><\/span>\n\t<\/div>\n
\n\t\tMonteur musical <\/span><\/strong>: <\/span>Ken Wanneberg <\/a><\/span>\n\t<\/div>\n
\n\t\tCor <\/strong>: James Thatcher <\/a><\/span>\n\t<\/div>\n

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\n\t\t[tab]\n\t<\/p>\n

Special Recent Posts<\/h3>\n
\"LES\n<\/a>\n<\/div>\n

LES MOTS DE JAMES HORNER #1 : LA GÉNÈSE<\/a>\n<\/h4>\n

\r\n\t\r\n\t\tLes mots de James Horner est une série d’articles dont l’objectif et de republier une vingtaine d’interviews pour la plupart inédites en anglais et réalisées par Didier Leprêtre et Jean-Christophe Arlon entre 1997 et 2006 pour les magazines Dreams To Dreams et Cinéfonia.\r\n\t\tLes enregistrements audio n’ont pas été retrouvés, nous sommes donc repartis des publications françaises pour les traduire le plus fidèlement possible en anglais. Nous sommes très honorés d’être autorisés à publier ce travail colossal de plusieurs années et de lui redonner aujourd’hui une seconde vie. Ces interviews constituent selon nous un moyen unique et inestimable de comprendre l’oeuvre[...]<\/a>\n<\/p><\/div><\/div>

\"COCOON:\n<\/a>\n<\/div>\n

COCOON: THE RETURN EN VERSION COMPLÈTE CHEZ VARÈSE SARABANDE<\/a>\n<\/h4>\n

\r\n\tComme annoncé dans notre précédent article datant du 19 février, nous préssentions une nouvelle édition de Cocoon: The Return pour l'année 2016. L'attente fut très courte car seulement 10 jours après Varèse Sarabande officialise cette nouvelle édition limitée à 2500 exemplaires et dévoile son contenu.\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tAprès l'édition étendue de Cocoon publié en 2013 par Intrada, voici donc le deuxième opus qui profite d'une cure de jouvence. Le son a en effet été remasterisé, remixé et le disque présente 18 minutes inédites par rapport à l'édition sortie en 1988. \r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tLe tracklist : \r\n\r\n\r\n\r\n\t1. Main Title (2:25) \r\n\r\n\r\n\r\n\t2. Reunion (2:15) \r\n\t3. Good Friend (3:17)\r\n\t4.[...]<\/a>\n<\/p><\/div><\/div>

\"COCOON\n<\/a>\n<\/div>\n

COCOON OU L'ÉMOTION SELON JAMES HORNER<\/a>\n<\/h4>\n

\r\n\tEn 2013 le label Intrada nous aura décidément gâtés avec trois albums de James Horner : après le vibrant et inédit In Country, le valeureux et percutant Clear And Present Danger, voici l'émouvant et sensible Cocoon. C'est l'occasion idéale de revenir sur cette musique marquante composée au début de la carrière du Maestro, et de se pencher sur les éléments nouveaux apportés par cette édition.\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\t[divider]Une partition émotionnelle[\/divider]\r\n\r\n\r\n\r\n\t\r\n\t\t« Il y a un avant et un après Cocoon car Steven Spielberg a aimé ce film et ma musique. Ma carrière a vraiment décollé avec Cocoon et An American Tail. Je suis entré dans la[...]<\/a>\n<\/p><\/div><\/div>

\"INTRADA\n<\/a>\n<\/div>\n

INTRADA SORT COCOON EN VERSION LONGUE<\/a>\n<\/h4>\n

Dans notre interview, Roger Feigelson nous avait confi\u00e9 que le prochain album \u00e0 para\u00eetre de James Horner serait un score des ann\u00e9es 80, et en ses propres termes : \"un tr\u00e8s, tr\u00e8s grand score\". Nous n'avions aucune id\u00e9e de quand cela allait \u00eatre et nous ne pouvions que faire des paris entre les plus grands scores que James Horner a fait dans cette d\u00e9cennie : An American Tail ? Cocoon ? Willow ? The Land Before Time ?\r\nNous n'avons pas eu \u00e0 attendre trop longtemps, car la nouvelle est tomb\u00e9e : c'est Cocoon, probablement le plus c\u00e9l\u00e8bre de tous les scores des a[...]<\/a>\n<\/p><\/div><\/div>

\"BILLY\n<\/a>\n<\/div>\n

BILLY MAY<\/a>\n<\/h4>\n

\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t© jazzbluesclub.com\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tWilliam E. "Billy" May (1916-2004) était compositeur, arrangeur et trompettiste.\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tIl a composé pour le cinéma et la télévision, pour notamment Le Frelon Vert en 1966, pour le thème de Batgirl dans le Batman de 1967, et a orchestré Cocoon et sa suite, entre autres. \r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tIl est également l'auteur d'arrangements pour de nombreuses vedettes de variété, telles Frank Sinatra, Nat "King" Cole, Ella Fitzgerald, Bing Crosby…\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tEn tant que trompettiste, Billy May a enregistré plusieurs chansons dans les années 40 avec Glenn Miller et son Orchestre et avec Charlie Barnet et son Orchestre.\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\tSource : Wikipédia\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n[...]<\/a>\n<\/p><\/div><\/div>

\"RON\n<\/a>\n<\/div>\n

RON HOWARD<\/a>\n<\/h4>\n

\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tPar David Shankbone (Travail personnel) [CC-BY-3.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tRon Howard (né Ronald William Howard le 1er mars 1954 à Duncan, Oklahoma) est un réalisateur américain.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tDans les années 1970, il a incarné Richie, le héros de la série culte des années 1970 : Happy Days.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tIl a réalisé de nombreux succès cinématographiques notamment Cocoon, Apollo 13, Un Homme d'Exception, Da Vinci Code et Frost\/Nixon.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tEn 2001 il a reçu l'Oscar du meilleur réalisateur pour Un Homme d'Exception. Le film a également été récompensé par l'Oscar du meilleur film.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tC'est le réalisateur qui a le plus collaboré avec James Horner.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\tSource : Wikipédia\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n[...]<\/a>\n<\/p><\/div><\/div>

\"COCOON\n<\/a>\n<\/div>\n

COCOON : THE RETURN<\/a>\n<\/h4>\n

\r\n\t\r\n\r\n\r\n\r\n\t\r\n\t\t[tabs tab1=TITRES INFORMATIONS AUDIO ARTICLES]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t \r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\tOrchestrations : Greig McRitchie, Billy May\r\n\t\r\n\r\n\t\r\n\t\tIngénieur du son : Shawn Murphy\r\n\t\tMonteur : Jim Henrikson\r\n\t\tCor : James Thatcher\r\n\t\r\n\r\n\t\r\n\t\t \r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[\/tabs]\r\n\t\r\n[...]<\/a>\n<\/p><\/div><\/div>

\"COCOON\"\n<\/a>\n<\/div>\n

COCOON<\/a>\n<\/h4>\n

\r\n\t\r\n\r\n\r\n\r\n\t\r\n\t\t[tabs tab1=TITRES INFORMATIONS ARTICLES]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t \r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\tOrchestrations : Herbert Spencer, Billy May \r\n\t\r\n\r\n\t\r\n\t\tIngénieur du son : Armin Steiner\r\n\t\r\n\r\n\t\r\n\t\tMonteur musical : Ken Wanneberg \r\n\t\r\n\r\n\t\r\n\t\tCor : James Thatcher \r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[\/tabs]\r\n\t\r\n[...]<\/a>\n<\/p><\/div><\/div>
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\n\t\t[\/tabs]\n\t<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[tabs tab1=TITRES INFORMATIONS ARTICLES] [tab]   [\/tab] [tab] Orchestrations : Herbert Spencer, Billy May Ingénieur du son : Armin Steiner […]<\/p>\n","protected":false},"author":4,"featured_media":4089,"parent":3758,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"album-page-template.php","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"tags":[30,45,85,166,191,316,406],"class_list":["post-532","page","type-page","status-publish","has-post-thumbnail","hentry","tag-armin-steiner","tag-billy-may","tag-cocoon-2","tag-herbert-spencer","tag-james-thatcher","tag-ron-howard","tag-wannberg"],"yoast_head":"\nCOCOON - James Horner Film Music Fran\u00e7ais<\/title>\n<meta name=\"description\" content=\"Tout sur l'album Cocoon de James Horner.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jameshorner-filmmusic.com\/discography\/cocoon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"COCOON - James Horner Film Music Fran\u00e7ais\" \/>\n<meta property=\"og:description\" content=\"Tout sur l'album Cocoon de James Horner.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/jameshorner-filmmusic.com\/discography\/cocoon\/\" \/>\n<meta property=\"og:site_name\" content=\"JAMES HORNER\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/James-Horner-Film-Music\/100282013394913\" \/>\n<meta property=\"article:modified_time\" content=\"2014-05-27T21:41:50+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2011\/11\/Cocoon-Polydor-cover1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"599\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/cocoon\/\",\"url\":\"http:\/\/jameshorner-filmmusic.com\/discography\/cocoon\/\",\"name\":\"COCOON - 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