{"id":5384,"date":"2012-05-06T22:04:57","date_gmt":"2012-05-06T22:04:57","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/?page_id=5384"},"modified":"2017-02-11T17:10:27","modified_gmt":"2017-02-11T15:10:27","slug":"greig-mcritchie","status":"publish","type":"page","link":"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/greig-mcritchie\/","title":{"rendered":"GREIG McRITCHIE"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\t\t\tGreig McRITCHIE <\/b><\/span>(1914-1997) est surtout connu pour avoir été orchestrateur dans bon nombre de musiques de films aussi célèbres que Conan, Krull, Aliens, An American Tail, The Land Before Time, Dances Avec Les Loups, Starship Troopers<\/strong>, etc.<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\tIl fut également compositeur pour le cinéma et le petit écran, surtout dans les années 60 et 70, où il a participé à des projets aussi variés que Drôles de Dames<\/strong>, Dynasty<\/strong>, Starsky & Hutch<\/strong>, La croisière s'amuse<\/strong>…<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n
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\"GREIG\n<\/a>\n<\/div>\n<\/div>
\"CASPER\"\n<\/a>\n<\/div>\n<\/div>
\"AN\n<\/a>\n<\/div>\n<\/div>
\"ANOTHER\n<\/a>\n<\/div>\n<\/div>
\"IN\n<\/a>\n<\/div>\n<\/div>
\"GLORY\"\n<\/a>\n<\/div>\n<\/div>
\"DAD\"\n<\/a>\n<\/div>\n<\/div>
\"HONEY,\n<\/a>\n<\/div>\n<\/div>
\"COCOON\n<\/a>\n<\/div>\n<\/div>
\"THE\n<\/a>\n<\/div>\n<\/div>
\"WILLOW\"\n<\/a>\n<\/div>\n<\/div>
\"48\n<\/a>\n<\/div>\n<\/div>
\"PROJECT\n<\/a>\n<\/div>\n<\/div>
\"BATTERIES\n<\/a>\n<\/div>\n<\/div>
\"AN\n<\/a>\n<\/div>\n<\/div>
\"ALIENS\"\n<\/a>\n<\/div>\n<\/div>
\"THE\n<\/a>\n<\/div>\n<\/div>
\"COMMANDO\"\n<\/a>\n<\/div>\n<\/div>
\"STAR\n<\/a>\n<\/div>\n<\/div>
\"UNCOMMON\n<\/a>\n<\/div>\n<\/div><\/div>
\"KRULL\"\n<\/a>\n<\/div>\n<\/div>
\"SOMETHING\n<\/a>\n<\/div>\n<\/div>
\"GORKY\n<\/a>\n<\/div>\n<\/div>
\"BRAINSTORM\"\n<\/a>\n<\/div>\n<\/div>
\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n
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\n\t\t\t\t\t\t\t\t\t\t\t\t\tProjets non édités<\/u> :<\/span><\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\t\t\tP.K. and The kid, Off beat, Between friends<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n
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\"FOND\n<\/a>\n<\/div>\n

FOND MEMORIES EPISODE 7: 1983 - KRULL ET BRAINSTORM<\/a>\n<\/h4>\n

\r\n\tFond Memories a pour objectif de retracer la vie professionnelle du compositeur James Horner de la façon la plus exhaustive possible. Si vous avez des informations qui peuvent compléter cet épisode, merci de nous contacter.\r\n\r\n\r\n\r\n\tDans ce septième épisode nous nous intéressons à l'année 1983 et particulièrement à Brainstorm et Krull, deux oeuvres qui ont marqué le début de la carrière de James Horner.\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tBandes-originales abordées dans cet épisode :\r\n\tKrull (1983)\r\n\tBrainstorm (1983) \r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\t[divider]1983: KRULL ET BRAINSTORM[\/divider]\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tLes succès publics de Star Trek II: The Wrath of Khan (voir épisode 6) et de 48 HRS, les deux productions confiées au jeune James Horner par<\/p><\/div><\/div>

\"IN\n<\/a>\n<\/div>\n

IN COUNTRY : UN JOYAU COMME TANT D'AUTRES.<\/a>\n<\/h4>\n

\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\tUn grand merci à Intrada et à Regina Fake de nous avoir permis d'écrire cet article dans les meilleures conditions possibles. \r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\t\t« Il n'y a pas de chef d’œuvre absolu. Pour ma part, j'aime beaucoup Cocoon, In Country et The Spitfire Grill. »1 James Horner (1998).\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\tNous ne remercierons jamais assez Douglass Fake et Roger Feigelson d'avoir enfin édité cette partition tant aimée du compositeur et qui depuis 1989 manquait cruellement à nos discothèques. Depuis deux décennies, nous vivions avec la certitude que la brillante musique du film de Norman Jewison méritait une édition discographique digne de son nom. Les deux artisans d'Intrada<\/p><\/div><\/div>
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\n\t\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n
\n\t\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n
\n\t\t\t\t\t\t\t\t\t \n\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n
\n\t\t\t \n\t\t<\/div>\n

\t<\/center>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Greig McRITCHIE (1914-1997) est surtout connu pour avoir été orchestrateur dans bon nombre de musiques de films aussi célèbres que […]<\/p>\n","protected":false},"author":4,"featured_media":5385,"parent":4865,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"collaboration-page-template.php","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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