{"id":5408,"date":"2012-05-03T21:55:03","date_gmt":"2012-05-03T21:55:03","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/?page_id=5408"},"modified":"2014-08-10T23:55:27","modified_gmt":"2014-08-10T21:55:27","slug":"j-a-c-redford","status":"publish","type":"page","link":"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/j-a-c-redford\/","title":{"rendered":"J.A.C REDFORD"},"content":{"rendered":"
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\n\t\t\t\t\t\t\t\t\t\t\tJ.A.C. Redford<\/a><\/b><\/span><\/span><\/span>, de son nom complet Jonathan Alfred Clawson Redford<\/b>, est un compositeur et orchestrateur américain né le 14 juillet 1953 à Los Angeles (Californie).<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\tIl a travaillé avec de nombreux ensembles ou artistes dont Joshua Bell, Liona Boyd, Cantus, Debussy Trio…<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n
\n\t\t\t\t\t\t\t\t\t\t\tJ.A.C. Redford a composé une quarantaine de musique pour des films et plus de 500 épisodes de séries.<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t<\/div>\n
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\"COLLAGE\n<\/a>\n<\/div>\n<\/div>
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\"WOLF\n<\/a>\n<\/div>\n<\/div>
\"FOR\n<\/a>\n<\/div>\n<\/div>
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\"AVATAR\"\n<\/a>\n<\/div>\n<\/div>
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\"JON\n<\/a>\n<\/div>\n

JON KULL : \"HONORER LES INTENTIONS DU COMPOSITEUR - FAIRE EN SORTE QUE SA MUSIQUE SOIT FABULEUSE !\"<\/a>\n<\/h4>\n

\r\n\tPour accompagner la mise en ligne de la section collaboration anglaise, nous avons souhaité nous intéresser à un métier rarement mis en avant, celui d'orchestrateur. A cet effet, nous avons eu le grand plaisir d'interviewer Jon Kull, qui a travaillé avec James Horner notamment sur Avatar et The Amazing Spider-Man. La finesse de ses réponses nous éclaire sur les créations des orchestrations dans la musique de films.\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tComment êtes-vous devenu orchestrateur à Hollywood ? Quel est votre parcours ?\r\n\tAprès avoir été diplômé en Composition et Pratique du piano à l'Université du Colorado, je suis entré dans le programme de musique de<\/p><\/div><\/div>

\"THE\n<\/a>\n<\/div>\n

THE AMAZING SPIDER-MAN : PREMIERS EXTRAITS<\/a>\n<\/h4>\n

\r\n\tDepuis le mois de mars et les déclarations du réalisateur Marc Webb (à lire en cliquant ici), c'est au compte-goutte que des informations au sujet de la dernière bande originale de James Horner ont émané. \r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\t\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tIl y a encore quelques semaines, les seules données qui avaient filtré étaient ainsi la liste conséquente des orchestrateurs engagés sur le projet : \r\n\r\n\r\n\r\n\tSteven Bernstein, Peter Boyer, Carl Johnson, Randy Kerber, Jon Kull et J.A.C. Redford (source IMDb).\r\n\r\n\r\n\r\n\tLe 1er mai, Peter Boyer avait d'ailleurs évoqué sur sa page Facebook la fierté de collaborer avec l'orchestrateur J.A.C Redford et le programmateur Simon Franglen, sur une<\/p><\/div><\/div>
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© www.jacredford.com J.A.C. Redford, de son nom complet Jonathan Alfred Clawson Redford, est un compositeur et orchestrateur américain né le […]<\/p>\n","protected":false},"author":4,"featured_media":5409,"parent":4865,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"collaboration-page-template.php","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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