{"id":732,"date":"2011-03-01T08:59:24","date_gmt":"2011-03-01T08:59:24","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/?page_id=732"},"modified":"2014-07-06T23:06:43","modified_gmt":"2014-07-06T21:06:43","slug":"the-man-without-a-face","status":"publish","type":"page","link":"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/the-man-without-a-face\/","title":{"rendered":"THE MAN WITHOUT A FACE"},"content":{"rendered":"
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\n\t\tSortie de l'album :<\/strong> 7 septembre 1993<\/span><\/span>\n\t<\/div>\n
\n
\n\t\t\tSortie du film en France :<\/strong> 26 juin 1994<\/span><\/span>\n\t\t<\/div>\n
\n\t\t\tOrchestrations :<\/strong> Thomas Pasatieri<\/a><\/span><\/span>\n\t\t<\/div>\n
\n\t\t\tIngénieur du son :<\/strong> Shawn Murphy<\/a><\/span><\/span>\n\t\t<\/div>\n
\n\t\t\tOrchestre :<\/strong> The London Symphony Orchestra<\/a><\/span><\/span>\n\t\t<\/div>\n
\n\t\t\tStudio d'enregistrement :<\/strong> EMI Abbey Road Studios<\/a>, Londres<\/span><\/span>\n\t\t<\/div>\n
\n\t\t\t \n\t\t<\/div>\n<\/p><\/div>\n
\n\t\t\"\"\n\t<\/div>\n
\n\t\tPremière collaboration entre James Horner et Mel Gibson<\/a> qui passait pour la première fois derrière la caméra.<\/span><\/span>\n\t<\/div>\n
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\n\t\t\tMel Gibson<\/a> a demandé à James Horner de ne pas utiliser de cuivres dans cette partition. Horner s'est alors tourné naturellement vers le cor. <\/span><\/span>\n\t\t<\/div>\n
\n\t\t\t \n\t\t<\/div>\n
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\n\t\t\t\tMel Gibson<\/a> :<\/strong> <\/span><\/span>\n\t\t\t<\/div>\n
\n\t\t\t\t"James voulait que les instruments solistes, piano ou clarinette notamment, soient contrebalancés par une large section de cordes pour asseoir la relation entre Justin et Chuck, leurs différences puis leur communion morale. Cette transposition orchestrale était très belle, sensible et vraiment en adéquation avec les sentiments que je voulais faire passer.<\/em>" <\/span><\/span>\n\t\t\t<\/div>\n
\n\t\t\t\tsource : Cinéfonia<\/span><\/span>\n\t\t\t<\/div>\n<\/blockquote><\/div>\n

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Special Recent Posts<\/h3>\n
\"ABBEY\n<\/a>\n<\/div>\n

ABBEY ROAD STUDIOS<\/a>\n<\/h4>\n

\r\n\t\r\n\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tOxyman [CC-BY-SA-2.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tAbbey Road Studios (anciennement studios EMI) sont des studios d'enregistrement situés à Londres. Ils existent depuis 1931. Leur nom actuel est un hommage à l'album éponyme du groupe The Beatles qui y a enregistré la plupart de ses chansons dans les années 60. Plusieurs groupes célèbres y ont enregistré, tels que Pink Floyd, ou plus récemment Oasis et Radiohead.\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSite officiel : abbeyroad.com\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSource : Wikipédia\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t \r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n[...]<\/a>\n<\/p><\/div><\/div>

\"L’HOMME\n<\/a>\n<\/div>\n

L'HOMME SANS VISAGE : UN PRÉLUDE SYMPHONIQUE<\/a>\n<\/h4>\n

\r\n\t \r\n\r\n\r\n\r\n\tPar Brigitte Maroillat\r\n\r\n\r\n\r\n\t \r\n\r\n\r\n\r\n\tL'Homme Sans Visage signe l'entame du voyage de James Horner vers une écriture musicale plus exigeante, relevant davantage du répertoire classique que de l’illustration musicale d’une œuvre cinématographique. James Horner a certes, avant L’Homme Sans Visage, composé des œuvres symphoniques d’envergure, telles que Willow et Le Petit Dinosaure Et La Vallée Des Merveilles, qui l’ont déjà arrimé aux rives du répertoire classique. Mais dans les compositions précitées, les références extrinsèques étaient parties intégrantes du discours musical de par des citations, évidentes à l’oreille, mais intelligemment empruntées. Avec L’Homme Sans Visage, James Horner réhausse son niveau d’écriture en inaugurant[...]<\/a>\n<\/p><\/div><\/div>

\"MEL\n<\/a>\n<\/div>\n

MEL GIBSON<\/a>\n<\/h4>\n

\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tGeorges Biard [CC-BY-SA-3.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tMel Gibson est un acteur, réalisateur, scénariste et producteur de cinéma américain, né le 3 janvier 1956 à Peekskill, dans l'État de New York (États-Unis). \r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tC'est un des acteurs les plus rentables du cinéma avec les entrées réalisées par les séries Mad Max et L'Arme Fatale.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tDeux de ses réalisations, Braveheart et La Passion du Christ ont connu un grand succès.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tIl a remporté de nombreux prix dont notamment l'Oscar et le Golden Globe du meilleur réalisateur pour Braveheart.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\tSource : Wikipédia\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t \r\n\t\t\r\n\r\n\t\t\r\n\t\t\t \r\n\t\t\r\n\t\r\n[...]<\/a>\n<\/p><\/div><\/div>

\"THE\n<\/a>\n<\/div>\n

THE MAN WITHOUT A FACE<\/a>\n<\/h4>\n

\r\n\t\r\n\r\n\r\n\r\n\t\r\n\t\t[tabs tab1=TITRES INFORMATIONS ARTICLES]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\tSortie de l'album : 7 septembre 1993\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\t\tSortie du film en France : 26 juin 1994\r\n\t\t\r\n\r\n\t\t\r\n\t\t\tOrchestrations : Thomas Pasatieri\r\n\t\t\r\n\r\n\t\t\r\n\t\t\tIngénieur du son : Shawn Murphy\r\n\t\t\r\n\r\n\t\t\r\n\t\t\tOrchestre : The London Symphony Orchestra\r\n\t\t\r\n\r\n\t\t\r\n\t\t\tStudio d'enregistrement : EMI Abbey Road Studios, Londres\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t \r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\tPremière collaboration entre James Horner et Mel Gibson qui passait pour la première fois derrière la caméra.\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\t\tMel Gibson a demandé à James Horner de ne pas utiliser de cuivres dans cette partition. Horner s'est alors tourné naturellement vers le cor. \r\n\t\t\r\n\r\n\t\t\r\n\t\t\t \r\n\t\t\r\n\r\n\t\t\r\n\t\t\t\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t\r\n\t\t\t\tMel Gibson : \r\n\t\t\t\r\n\r\n\t\t\t\r\n\t\t\t\t"James voulait que les instruments solistes, piano ou clarinette notamment, soient contrebalancés par une large section de cordes pour asseoir la[...]<\/a>\n<\/p><\/div><\/div>
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[tabs tab1=TITRES INFORMATIONS ARTICLES] [tab] [\/tab] [tab] Sortie de l'album : 7 septembre 1993 Sortie du film en France : […]<\/p>\n","protected":false},"author":4,"featured_media":4038,"parent":3758,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"esfichedisco.php","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"tags":[14,199,223,244,246,256,324,368,387],"class_list":["post-732","page","type-page","status-publish","has-post-thumbnail","hentry","tag-abbey-road-studios","tag-jim-henrikson","tag-lhomme-sans-visage","tag-london-symphony-orchestra","tag-londres","tag-mel-gibson","tag-shawn-murphy","tag-the-man-without-a-face","tag-tom-pasatieri"],"yoast_head":"\nL'HOMME SANS VISAGE - JAMES HORNER<\/title>\n<meta name=\"description\" content=\"Tout sur l'album Man Without A Face de James Horner.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jameshorner-filmmusic.com\/discography\/the-man-without-a-face\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'HOMME SANS VISAGE - JAMES HORNER\" \/>\n<meta property=\"og:description\" content=\"Tout sur l'album Man Without A Face de James Horner.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/jameshorner-filmmusic.com\/discography\/the-man-without-a-face\/\" \/>\n<meta property=\"og:site_name\" content=\"JAMES HORNER\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/James-Horner-Film-Music\/100282013394913\" \/>\n<meta property=\"article:modified_time\" content=\"2014-07-06T21:06:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2011\/11\/themanwithoutface1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"311\" \/>\n\t<meta property=\"og:image:height\" content=\"311\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/the-man-without-a-face\/\",\"url\":\"http:\/\/jameshorner-filmmusic.com\/discography\/the-man-without-a-face\/\",\"name\":\"L'HOMME SANS VISAGE - 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