{"id":916,"date":"2011-03-03T09:48:37","date_gmt":"2011-03-03T09:48:37","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/?page_id=916"},"modified":"2016-06-20T14:57:32","modified_gmt":"2016-06-20T12:57:32","slug":"apocalypto","status":"publish","type":"page","link":"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/apocalypto\/","title":{"rendered":"APOCALYPTO"},"content":{"rendered":"<div style=\"text-align: center;\">\n\t<img decoding=\"async\" alt=\"APOCALYPTO\" src=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/apocalyptotitre.jpg\" style=\"width: 800px; height: 141px;\" \/>\n<\/div>\n<div>\n\t<center><\/p>\n<div>\n\t\t\t<div class=\"rwp-users-rating-shortcode\" ><div class=\"rwp-rating-stars\"\n\t\t\t\t\t style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png); width: 120px; \">\n\t\t\t\t\t <div style=\"width: 91.2px; \"><\/div>\n\t\t\t  \t<\/div><div class=\"rwp-rating-stars-count\" >(3 reviews)<\/div><\/div>\n\t\t<\/div>\n<p>\t<\/center>\n<\/div>\n<div style=\"text-align: center;\">\n<p align=\"LEFT\" style=\"margin-bottom: 0cm\">\n\t\t[tabs tab1=TITRES INFORMATIONS AUDIO &#8220;ARTICLES \/ PAGES&#8221; AVIS]<br \/>\n\t\t[tab]<a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode4\/Apocalypto - cover.jpg\"><img decoding=\"async\" alt=\"1.  \tFrom The Forest (01:55) 2.  \tTapir Hunt (01:31) 3.  \tThe Storyteller's Dream (03:41) 4.  \tHolcane Attack (09:28) 5.  \tCaptives (03:06) 6.  \tEntering The City With A Future Foretold (06:05) 7.  \tSacrificial Procession (03:40) 8.  \tWords Through The Sky And The Eclipse (05:11) 9.  \tThe Games And Escape (05:15) 10.  \tAn Elusive Quarry (02:15) 11.  \tFrog Darts (02:45) 12.  \tNo Longer The Hunted (05:50) 13.  \tCivilisations Brought By Sea (03:20) 14.  \tTo The Forest... (07:41) \" src=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode4\/apocalypto.jpg\" style=\"width: 1106px; height: 1108px;\" \/><\/a>\n\t<\/p>\n<p align=\"LEFT\" style=\"margin-bottom: 0cm\">\n\t\t[\/tab]<br \/>\n\t\t[tab]\n\t<\/p>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Solos voix<\/strong> : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/rahat-nusrat-fateh-ali-khan\">Rahat Nusrat Fateh Ali Khan<\/a><\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Voix additionnelles<\/strong> : Terry Edwards<\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Bois<\/strong> : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/tony-hinnigan\">Tony Hinnigan<\/a>, <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/jan-hendrickse\">Jan Hendrickse<\/a>, Robert A. White, Guo Yi<\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Percussions<\/strong> : Gary Kettel, Frank Ricotti<\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Programmation synth&eacute;tiseurs<\/strong> : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/ian-underwood\">Ian Underwood<\/a>, <a href=\"http:\/\/jameshorner-filmmusic.com\/fr\/?page_id=15845\">Aaron Martin<\/a><\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Ing&eacute;nieur du son<\/strong> : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/simon-rhodes\">Simon Rhodes<\/a><\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Monteurs :<\/strong> <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/jim-henrikson\/\">Jim Henrikson<\/a>, <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/dick-bernstein\/\">Dick Bernstein<\/a><\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Music contractor<\/strong>: <\/span><a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/isobel-griffiths\/\">Isobel Griffiths<\/a><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\"><strong>Studio d&#39;enregistrement<\/strong> : EMI <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/abbey-road-studios\">Abbey Road Studios<\/a>, Londres<\/span><\/span>\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t&nbsp;\n\t<\/div>\n<div style=\"color: rgb(34, 34, 34); font-family: Arial,Verdana,sans-serif; font-size: 12px; text-align: justify;\">\n\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\">Apocalypto est la deuxi&egrave;me collaboration entre le compositeur et le vocaliste arabe <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/rahat-nusrat-fateh-ali-khan\">Rahat Nusrat Fateh Ali Khan<\/a>, apr&egrave;s The Four Feathers en 2002.<\/span><\/span>\n\t<\/div>\n<p style=\"line-height: 0.5cm\">\n\t\t[\/tab]\n\t<\/p>\n<p style=\"line-height: 0.5cm\">\n\t\t[tab]\n\t<\/p>\n<div style=\"text-align: center;\">\n\t\t<iframe allowtransparency=\"true\" frameborder=\"0\" height=\"240\" scrolling=\"no\" src=\"http:\/\/www.deezer.com\/plugins\/player?autoplay=false&amp;playlist=true&amp;width=700&amp;height=240&amp;cover=true&amp;type=playlist&amp;id=59462818&amp;title=&amp;app_id=undefined\" width=\"700\"><\/iframe>\n\t<\/div>\n<p style=\"line-height: 0.5cm\">\n\t\t[\/tab]\n\t<\/p>\n<p style=\"margin-bottom: 0cm; line-height: 0.5cm\">\n\t\t[tab]\n\t<\/p>\n<p style=\"line-height: 0.5cm\">\n\t\t<!-- BOF Special Recent Posts PRO ver2.1 --><div class=\"srp-widget-container\"><h3 class=\"widget-title\">Special Recent Posts<\/h3>\n<div id=\"srp-singlepost-1\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/rahat-nusrat-fateh-ali-khan\/\" title=\"RAHAT NUSRAT FATEH ALI KHAN\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9raGFuMQ==.png\" alt=\"RAHAT NUSRAT FATEH ALI KHAN\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/rahat-nusrat-fateh-ali-khan\/\" title=\"RAHAT NUSRAT FATEH ALI KHAN\">RAHAT NUSRAT FATEH ALI KHAN<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\tBy www.bollywoodhungama.com [CC-BY-3.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tRahat Nusrat Fateh Ali Khan (n&eacute; en 1974 au Pakistan) a &eacute;t&eacute; form&eacute; par son oncle, Nusrat Fateh Ali Khan, dans l&#39;art de la musique classique et Qawwali, genre musical populaire en Inde.\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tIl a effectu&eacute; de nombreuses tourn&eacute;es partout dans le monde\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSource : Wikipedia\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t&nbsp;\r\n\t\t\r\n\t\r\n\r\n\r\n\r\n\t&nbsp;\r\n<a class=\"srp-widget-stringbreak-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/rahat-nusrat-fateh-ali-khan\/\" title=\"RAHAT NUSRAT FATEH ALI KHAN\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-2\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/jan-hendrickse\/\" title=\"JAN HENDRICKSE\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9KYW4tSGVuZHJpY2tzZcKpc291bmRhbmRtdXNpYy5vcmdf.jpg\" alt=\"JAN HENDRICKSE\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/jan-hendrickse\/\" title=\"JAN HENDRICKSE\">JAN HENDRICKSE<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t&copy; soundandmusic.org\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tJan Hendrickse \r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\tsite officiel : JanHendrickse.com\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/jan-hendrickse\/\" title=\"JAN HENDRICKSE\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-3\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/abbey-road-studios\/\" title=\"ABBEY ROAD STUDIOS\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9hYmJleTE=.jpg\" alt=\"ABBEY ROAD STUDIOS\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/abbey-road-studios\/\" title=\"ABBEY ROAD STUDIOS\">ABBEY ROAD STUDIOS<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tOxyman [CC-BY-SA-2.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tAbbey Road Studios (anciennement studios EMI) sont des studios d&#39;enregistrement situ&eacute;s &agrave; Londres. Ils existent depuis 1931. Leur nom actuel est un hommage &agrave; l&#39;album &eacute;ponyme du groupe The Beatles qui y a enregistr&eacute; la plupart de ses chansons dans les ann&eacute;es 60. Plusieurs groupes c&eacute;l&egrave;bres y ont enregistr&eacute;, tels que Pink Floyd, ou plus r&eacute;cemment Oasis et Radiohead.\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSite officiel : abbeyroad.com\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSource : Wikip&eacute;dia\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/abbey-road-studios\/\" title=\"ABBEY ROAD STUDIOS\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-4\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/mel-gibson\/\" title=\"MEL GIBSON\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9naWJzb24x.jpg\" alt=\"MEL GIBSON\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/mel-gibson\/\" title=\"MEL GIBSON\">MEL GIBSON<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tGeorges Biard [CC-BY-SA-3.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tMel Gibson est un acteur, r&eacute;alisateur, sc&eacute;nariste et producteur de cin&eacute;ma am&eacute;ricain, n&eacute; le 3&nbsp;janvier&nbsp;1956 &agrave; Peekskill, dans l&#39;&Eacute;tat de New York (&Eacute;tats-Unis). \r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tC&#39;est un des acteurs les plus rentables du cin&eacute;ma avec&nbsp;les entr&eacute;es r&eacute;alis&eacute;es par les s&eacute;ries Mad Max et L&#39;Arme Fatale.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tDeux de ses r&eacute;alisations, Braveheart et La Passion du Christ ont connu un grand succ&egrave;s.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tIl a remport&eacute; de nombreux prix dont notamment l&#39;Oscar et le Golden Globe du meilleur r&eacute;alisateur pour Braveheart.\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\tSource : Wikip&eacute;dia\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t&nbsp;\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t&nbsp;\r\n\t\t\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/mel-gibson\/\" title=\"MEL GIBSON\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-5\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/apocalypto\/\" title=\"APOCALYPTO\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9hcG9jYWx5cHRvMQ==.jpg\" alt=\"APOCALYPTO\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/apocalypto\/\" title=\"APOCALYPTO\">APOCALYPTO<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\r\n\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n\r\n\r\n\t\r\n\t\t[tabs tab1=TITRES INFORMATIONS AUDIO \"ARTICLES \/ PAGES\" AVIS]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\tSolos voix : Rahat Nusrat Fateh Ali Khan\r\n\t\r\n\r\n\t\r\n\t\tVoix additionnelles : Terry Edwards\r\n\t\r\n\r\n\t\r\n\t\tBois : Tony Hinnigan, Jan Hendrickse, Robert A. White, Guo Yi\r\n\t\r\n\r\n\t\r\n\t\tPercussions : Gary Kettel, Frank Ricotti\r\n\t\r\n\r\n\t\r\n\t\tProgrammation synth&eacute;tiseurs : Ian Underwood, Aaron Martin\r\n\t\r\n\r\n\t\r\n\t\tIng&eacute;nieur du son : Simon Rhodes\r\n\t\r\n\r\n\t\r\n\t\tMonteurs : Jim Henrikson, Dick Bernstein\r\n\t\r\n\r\n\t\r\n\t\tMusic contractor: Isobel Griffiths\r\n\t\r\n\r\n\t\r\n\t\tStudio d&#39;enregistrement : EMI Abbey Road Studios, Londres\r\n\t\r\n\r\n\t\r\n\t\t&nbsp;\r\n\t\r\n\r\n\t\r\n\t\tApocalypto est la deuxi&egrave;me collaboration entre le compositeur et le vocaliste arabe Rahat Nusrat Fateh Ali Khan, apr&egrave;s The Four Feathers en 2002.\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t[tab]  [\/tab]\r\n\r\n\t\r\n\t\t[\/tabs]\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"http:\/\/jameshorner-filmmusic.com\/fr\/discographie\/apocalypto\/\" title=\"APOCALYPTO\">[...]<\/a>\n<\/p><\/div><\/div><br style=\"clear:both; height: 0px;\">\n<\/div><!-- EOF Special Recent Posts PRO ver2.5.2 -->\n\t<\/p>\n<p style=\"line-height: 0.5cm\">\n\t\t[\/tab]\n\t<\/p>\n<p style=\"line-height: 0.5cm;\">\n\t[tab] <!--RWP Review-->\n<div class=\"rwp-review-wrap rwp-theme-6\" id=\"rwp-review-10321-0-1351829540\" style=\"color: #2a2a2a; font-size: 14px\" data-post-id=\"10321\" data-box-id=\"0\" data-template-id=\"1\" data-disabled=\"0\" data-sharing-review-link-label=\"Copy and paste the URL to share the review\" data-per-page=\"10\">\n\n    <div class=\"rwp-review\">\n        \n        <div class=\"rwp-header rwp-has-image\"><div class=\"rwp-review-image\">\n\t\n\t\t<span style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2011\/11\/apocalypto1.jpg);\"><\/span>\n\n\t<\/div> <!-- \/review-image -->\n\n<div class=\"rwp-overalls\">\n<div\n 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style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-x\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-x\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><\/div><!-- \/stars --><\/div><!-- \/criterion -->\n<\/div> <!-- \/scores -->\n<\/div> <!-- \/header -->\t<div class=\"rwp-users-reviews-wrap\">\n\t\t\t\t<span class=\"rwp-people-label\" style=\"color: #974726;\n        \t   font-size: 18px;\n        \t   line-height: 18px;\">What people say...\n\t\t\t<i style=\"background-color: #974726;\n\t\t\t\t  font-size: 12px;\n\t\t\t\t  border-radius: 12px;\n\t\t\t\t  -webkit-border-radius: 12px;\" v-text=\"reviews.length\"><\/i>\n\n\t\t\t<em style=\"color: #2a2a2a;\n\t               font-size: 14px;\n\t               line-height: 1.2em;\">\n\t\t\t\t\t\t\t\t\t<a href=\"#rwp-ratings-form-10321-0\">Leave your rating<\/a>\n\t\t\t\t\t\t\t<\/em>\n\t\t<\/span>\n\n\t\t<span class=\"rwp-loading-icon\" v-show=\"loading\"><\/span><!-- \/loader-->\n\n\t\t<div class=\"rwp-select rwp-box__sorting\" v-show=\"reviews.length > 0\">\n\t\t\t<i>Order by:<\/i>\n\t\t\t<select v-on:change=\"sortReviews\" v-model=\"sorting\">\n\t\t\t\t\t\t\t\t\t<option value=\"mostRecent\">Most recent<\/option>\n\t\t\t\t\t\t\t\t\t<option value=\"topScore\">Top score<\/option>\n\t\t\t\t\t\t\t\t\t<option value=\"mostHelpful\">Most helpful<\/option>\n\t\t\t\t\t\t\t\t\t<option value=\"worstScore\">Worst score<\/option>\n\t\t\t\t\t\t\t<\/select>\n\t\t<\/div><!-- \/users reviews toolbar -->\n\n\t\t<div class=\"rwp-users-reviews\">\n\t\t\t<p v-show=\"!loading && success && reviews.length < 1\">Be the first to leave a review.<\/p>\n\t\t\t<p v-show=\"!loading && !successs\" v-text=\"errorMsg\"><\/p>\n\t\t\t<div class=\"rwp-u-review\" v-bind:class=\"{'--rwp-highlighted': review.rating_highlighted}\" v-for=\"review in reviews | orderBy sortingField sortingReversed | limitBy toShow\">\n\n\t\t\t\t<rwp-tracker v-bind:highlighted=\"review.rating_highlighted\"><\/rwp-tracker>\n\n\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__user\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img v-if=\"review.rating_user_id <= 0 || '' == ''\" class=\"rwp-u-review__avatar\" v-bind:src=\"review.rating_user_avatar\" alt=\"User Avatar\" \/>\n\n\t\t\t\t\t\t\t<a v-bind:href=\"generateProfileLink('', 'username', review)\" v-else><img class=\"rwp-u-review__avatar\" v-bind:src=\"review.rating_user_avatar\" alt=\"User Avatar\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- \u2044user section -->\n\t\t\t\t\n\t\t\t\t<div class=\"rwp-u-review__content \">\n\n\t\t\t\t\t<div class=\"rwp-u-review__userinfo\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span v-if=\"review.rating_user_id <= 0 || '' == ''\" class=\"rwp-u-review__username\" v-text=\"review.rating_user_name\"><\/span>\n\n\t\t\t\t\t\t\t<a v-bind:href=\"generateProfileLink('', 'username', review)\" v-else class=\"rwp-u-review__username\" v-text=\"review.rating_user_name\"><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__badges\" v-if=\"typeof review.rating_verified != 'undefined' && review.rating_verified\">\n\t\t\t\t\t\t\t<span class=\"rwp-u-review__badge\" style=\"background: #d1aa00;\">GOLD REVIEWER<\/span>\n\t\t\t\t\t\t<\/div><!-- \/badges -->\n\t\t\t\t\t<\/div><!-- \/user -->\n\n\t\t\t\t\t<div class=\"rwp-u-review__date\" v-text=\"review.rating_formatted_date\"><\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"rwp-u-review__scores\">\n\t\t\t\t\t\t\t<rwp-score-star\n\t\t\t\t\t\t\t\t\tv-bind:score=\"parseFloat(review.rating_score[0])\"\n\t\t\t\t\t\t\t\t\tv-bind:min=\"parseFloat(0)\"\n\t\t\t\t\t\t\t\t\tv-bind:max=\"parseFloat(5)\"\n\t\t\t\t\t\t\t\t\tv-bind:icon=\"'http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png'\"\n\t\t\t\t\t\t\t\t\tlabel=\"\"><\/rwp-score-star>\t\t\t\t\t\t<\/div><!-- \/scores section -->\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__comment\">{{{review.rating_comment | nl2br}}}<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__images\">\n\t\t\t\t\t\t\t<a class=\"rwp-u-review__image\" v-for=\"image in review.attachments\" v-bind:href=\"image.src\" target=\"_blank\" v-on:click.prevent=\"openPhotoSwipeGallery(review.attachments, $index)\">\n\t\t\t\t\t\t\t\t<span class=\"rwp-u-review__thumb\" v-bind:style=\"{ backgroundImage: 'url('+image.thumb_url+')', height: image.thumb_height + 'px', width: image.thumb_width + 'px' }\"><\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__actions\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__sharing\">\n\t\t\t\t\t\t\t\t\t<a v-for=\"url in review.rating_socials_url\" v-bind:href=\"url\" class=\"rwp-u-review__sharing-icon {{ '--rwp-' + $key }}\" v-on:click=\"shareReview($event, $key)\"><\/a>\n\t\t\t\t\t\t\t\t<\/div><!-- \/sharing section -->\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__sharing rwp-replies-count\" @click=\"toggleReplies(review)\">\n\t\t\t\t\t\t\t\t\t<span class=\"rwp-u-review__sharing-icon --rwp-comment\"><\/span>\n\t\t\t\t\t\t\t\t\t<span>Replies<\/span>\n\t\t\t\t\t\t\t\t\t<span v-if=\"review.rating_replies.length\">({{review.rating_replies.length}})<\/span>\n\t\t\t\t\t\t\t\t<\/div><!-- \/action section -->\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__likes\">\n\n\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__judge-icons\">\n\t\t\t\t\t\t\t\t\t\t<span class=\"dashicons dashicons-yes\" v-show=\"review.judging_ok\"><\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"dashicons dashicons-update\" v-show=\"review.judging_loading\"><\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"dashicons dashicons-warning\" v-show=\"review.judging_failed\"><\/span>\n\t\t\t\t\t\t\t\t\t<\/div><!-- \/judge icons section -->\n\n\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__positive\">\n\t\t\t\t\t\t\t\t\t\t<span class=\"rwp-u-review__positive-count\" v-text=\"review.rating_helpful\"><\/span>\n\t\t\t\t\t\t\t\t\t\t<i class=\"rwp-u-review__positive-icon\" v-on:click=\"judgeReview(review, 1, 0)\"><\/i>\n\t\t\t\t\t\t\t\t\t<\/div><!-- \/positive section -->\n\n\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__negative\">\n\t\t\t\t\t\t\t\t\t\t<i class=\"rwp-u-review__negative-icon\" v-on:click=\"judgeReview(review, 0, 0)\"><\/i>\n\t\t\t\t\t\t\t\t\t\t<span class=\"rwp-u-review__negative-count\" v-text=\"review.rating_unhelpful\"><\/span>\n\t\t\t\t\t\t\t\t\t<\/div><!-- \/positive section -->\n\t\t\t\t\t\t\t\t<\/div><!-- \/likes section -->\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- \/actions section -->\n\t\t\t\t\t\t\t\t\t\t<p class=\"rwp-u-review__judge-msg\" v-show=\"review.judging_failed\" v-text=\"review.judging_msg\"><\/p>\n\n\t\t\t\t\t<rwp-replies inline-template v-bind:replies=\"review.rating_replies\" v-bind:review-id=\"review.rating_id\" v-bind:post-id=\"review.rating_post_id\" action=\"rwp_submit_reply\" action-delete=\"rwp_delete_reply\" action-edit=\"rwp_edit_reply\" security=\"a07f522b06\" security-edit=\"c51c8cbb12\" security-delete=\"8b52534a5a\" endpoint=\"http:\/\/jameshorner-filmmusic.com\/wp-admin\/admin-ajax.php\" v-bind:user-id=\"0\" v-bind:user-can-reply=\"true\" v-bind:per-page=\"3\" v-show=\"review.show_replies\" deletion-message=\"Do you confirm the reply deletion?\">\n    <div class=\"rwp-replies\" style=\"font-size: 14px; color: #2a2a2a;\">\n\n        <p v-if=\"!userCanReply && replies.length == 0\">This review has no replies yet.<\/p>\n\n        <div class=\"rwp-reply\" v-for=\"(rInd, reply) in replies | limitBy toShow\">\n\n                            <p v-html=\"reply.reply_comment | nl2br\"><\/p>\n\n                <div class=\"rwp-reply__info\">\n                    <div class=\"rwp-reply__author\">\n                        <div>\n                            <img v-bind:src=\"reply.reply_author_avatar\" alt=\"Avatar\">\n                        <\/div>\n                        <span v-text=\"reply.reply_author_name\"><\/span>\n                    <\/div>\n                    <span class=\"rwp-reply__created-at\" v-text=\"reply.reply_created_at\"><\/span>\n                <\/div>\n                        <\/div><!-- \/reply -->\n\n        <span class=\"rwp-more-urs-btn\" v-on:click=\"showMore\" v-if=\"toShow < replies.length\">Show more<\/span>\n\n                    <div 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-->\n\n\t<div class=\"rwp-ratings-form-wrap\" id=\"rwp-ratings-form-10321-0\">\n\n\t\t<span class=\"rwp-ratings-form-label\" style=\"color: #974726;\n        \t   font-size: 18px;\n        \t   line-height: 18px;\">Leave your rating<\/span>\n\n\t\t<div class=\"rwp-ratings-form\">\n\n\t\t\t\n\n\t\t\t\t\t\t\t<div class=\"rwp-rating-form-user-info\">\n\n\t\t\t\t\t<img alt='' src='http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2016\/09\/avatar-jhfm_light-50x50.jpg' srcset='http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2016\/09\/avatar-jhfm_light-150x150.jpg 2x' class='avatar avatar-50 photo' height='50' width='50' \/>\n\t\t\t\t\t\t\t\t\t\t\t<span style=\"line-height: 14px; font-size: 14px;\"><\/span>\n\t\t\t\t\t\n\t\t\t\t<\/div> <!-- \/user-info -->\n\t\t\t\n\t\t\t<div class=\"rwp-rating-form-content \">\n\n\t\t\t\t<input type=\"hidden\" name=\"rwp-ur[post-id]\" value=\"10321\" \/>\n\t\t\t\t<input type=\"hidden\" name=\"rwp-ur[user-id]\" value=\"0\" \/>\n\t\t\t\t<input type=\"hidden\" name=\"rwp-ur[review-id]\" value=\"0\" \/>\n\t\t\t\t<input type=\"hidden\" name=\"rwp-ur[mode]\" value=\"stars\" \/>\n\t\t\t\t<input type=\"hidden\" name=\"rwp-ur[template]\" value=\"1\" \/>\n\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t<input type=\"text\" name=\"rwp-ur[name]\" value=\"\" placeholder=\"Write your name\" style=\"font-size: 14px; color: #2a2a2a;\">\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<p>\n\t\t\t\t\t\t<textarea name=\"rwp-ur[comment]\" placeholder=\"Write your review\" style=\"font-size: 14px; color: #2a2a2a;\"><\/textarea>\n\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"rwp-form-upload-images\">\n\t\t\t\t\t\t<div class=\"rwp-dropzone dropzone\" id=\"rwp-review-10321-0-1351829540-dropzone\">\n\t\t\t\t\t\t\t<div class=\"fallback\">\n\t\t\t\t\t\t\t\t<p>Your browser does not support images upload. 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\" \/>\n\t\t\t\t\t<span class=\"rwp-loader\"><\/span><!-- \/loader-->\n\t\t\t\t<\/p>\n\n\t\t\t<\/div> <!-- \/rating-form-content -->\n\n\t\t<\/div><!-- \/rating-form -->\n\n\t\t<div class=\"rwp-notification --rwp-notice-with-error\"><\/div>\n\n\t<\/div> <!-- \/ratings-form-wrap -->\n\n    <\/div><!-- \/review -->\n\n    <script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@type\":\"Product\",\"name\":\"APOCALYPTO\",\"aggregateRating\":{\"@type\":\"AggregateRating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":3.8,\"ratingCount\":3},\"review\":[{\"@type\":\"Review\",\"reviewBody\":\"\\u2018Apocalypto\\u2019 (2006) is the highly successful third, and indeed final, collaboration between composer James Horner and director Mel Gibson. Gibson sought to fashion a gripping and authentic drama set around the tail end of the Mayan civilisation in Central America, just prior to the arrival of the Spanish in the early sixteenth century. The story follows the fortunes of tribesman Jaguar Paw (Rudy Youngblood) who is captured and separated from his pregnant wife and son and brought to the Mayan capital with either enslavement or death in store. He manages to make his escape and evades a band of ruthless pursuers as he struggles to be reunited with his family.\\nThe film, released just over ten years ago, was a commercial and critical hit, an outcome that meant a lot to Gibson himself, and no doubt Horner, with genuine hits hard to find at this stage of his career, was just as pleased to see the movie so well received. Horner had a great rapport with Gibson, the two working together for the first time on \\u2018The Man Without a Face\\u2019 in 1993, for which Horner delivered a memorable score of unrivalled majesty, before famously collaborating on \\u2018Braveheart\\u2019 two years later, which yielded one of the defining film scores of the 1990s. But now, after a lengthy break in the relationship, and with a story set in the Pre-Columbian Age, what would Horner come up with this time? The film\\u2019s subject matter clearly ruled out the possibility of working once more with the London Symphony Orchestra, so what alternative lay open to the composer?\\nThe score for \\u2018Apocalypto\\u2019 was going to have to explore ethnic musical territory with a depth that Horner had not previously reached in any of his film projects. In 2002 his contribution to the historical epic \\u2018The Four Feathers\\u2019 was an artistically successful fusion of western musical idioms and ethnically based content that demonstrated Horner\\u2019s skill at incorporating non-classical elements into the overall soundscape of his imagination. However, \\u2018Apocalypto\\u2019 was going to have to go one or two steps beyond what was accomplished on \\u2018The Four Feathers\\u2019. Musical fusion was not the purpose of this particular exercise\\u2013for obvious reasons anything that resembled the formal Western musical trappings would have to be excluded. For a composer trained in the greats of the classical music world, \\u2018Apocalypto\\u2019 presented Horner with a real challenge, but not one that was by any means beyond his range.\\nThe \\u2018Apocalypto\\u2019 project was all about assembling the right team for the job, and Horner, with \\u2018The Four Feathers\\u2019 very much in mind, wasted no time in contacting vocalist Rahat Nusrat Fateh Ali Khan, whose extraordinary singing prowess made such an indelible impression on the soundtrack of the earlier film. While Rahat\\u2019s contribution to \\u2018Apocalypto\\u2019 is significant, the contrasting vocal participation of versatile English musician Terry Edwards has an equal role to play in crafting the uniquely convincing aural sculpture that is \\u2018Apocalypto\\u2019. The ever reliable Tony Hinnigan was on hand to take command of a raft of ethnic woodwinds, horns and drums. The soundtrack was recorded without an orchestra, which of course was not unprecedented for Horner, creating space for synthesizers to anchor the whole design. Music from the film is available on the fourteen-track cd released by Hollywood Records.\\nThe score is bookended by \\u2018From the Forest\\u2026\\u2019 and \\u2018To the Forest\\u2026\\u2019. These pieces incorporate the \\u2018menagerie\\u2019 sound effects used on \\u2018The New World\\u2019. Over a drizzly synthesizer loop, capturing darting sunlight through dense tropical woodland, Rahat delivers a mournful lament for the passing of the Mayan civilisation as portrayed in the film.\\n\\u2018Apocalypto\\u2019, being what it is, doesn\\u2019t feature thematic musical ideas that are developed as the narrative of the film progresses. Apart from Rahat\\u2019s lament, the only evidence for a theme comes in the form of a melody representing the indomitable energy and spirit of the film\\u2019s hero, Jaguar Paw. This is played on the flute, heard near the end of \\u2018Holcane attack\\u2019, and more prominently at the start of \\u2018Words through the sky\\u2013the eclipse\\u2019, cropping up again on \\u2018No longer the hunted\\u2019. This gently optimistic motif provides fleeting moments of light and hope in what is for the most part a grimly intense and unsettling score.\\nWhile \\u2018To the forest\\u2026\\u2019 has a certain sense of peace and serenity about it, this is by no means the signature of \\u2018Apocalypto\\u2019, and Horner very quickly changes the mood with \\u2018Tapir hunt\\u2019, on which he introduces the battery of weapons deployed to sustain the score. The listener is brought into the \\u2018discomfort zone\\u2019 and held there for the duration. \\u2018Tapir hunt\\u2019 is a fast paced exercise fuelled by stomping drums, guttural growling vocals, characteristic \\u2018twittering\\u2019 flute, over a bubbling base line, all of which is brought to a sudden end with a grating, ear-splitting blast of feedback. This is only the start of a hellish descent into another time and place that is not for the fainthearted. The manner in which Horner carved out such an otherworldly musical experience is remarkable. The listener\\u2019s senses are assaulted for much of this infernal journey, which is no doubt exactly what Gibson was looking for when he brought his composer friend on board.\\nThe slow, trancelike opening section of \\u2018The storyteller\\u2019s dreams\\u2019 draws the listener further into the mysteries of the strange new world\\u2013be careful when you enter! The soundscape although grounded by synthesizers is populated by an array of drums, horns and pipes, and topped with Terry Edwards\\u2019 insidiously terrifying vocal utterances. The shakuhachi flute, Horner\\u2019s favourite ethnic instrument, makes several appearances, starting with \\u2018Holcane attack\\u2019. The unsettling combination of banging drums, droning pipes, distorted vocals and strange synth grooves is heard to full effect on \\u2018Entering the city with a future foretold\\u2019 and \\u2018Sacrificial procession\\u2019. The nightmarish intensity of it all is unrelenting and hard to take. Edwards\\u2019 unique contribution to an evening of aural menace is crystallised with spine-chilling monosyllabic interjections, on \\u2018Words through the sky\\u2026\\u2019 (also boasting a fiendish incantation), \\u2018Frog darts\\u2019 and \\u2018An elusive quarry\\u2019. A brief distraction from this disturbing and harsh world occurs with \\u2018Civilisations brought by sea\\u2019. The Europeans make their entry in the film\\u2019s narrative at this point, and the musical contrast stands out in sharp relief. The disciplined drumbeat, processional fanfare and rapid burst of activity announce not only the advent of a New Order, but also inevitably of conflict.\\nRahat Nusrat Fateh Ali Khan doesn\\u2019t dominate the score as he did on \\u2018The four feathers\\u2019, but he is nevertheless a tangible presence throughout \\u2018Apocalypto\\u2019, and on \\u2018To the Forest\\u2026\\u2019 he is on hand for a powerful valediction. Strolling through the leafy woodland that Horner places him in, he delivers a heart-breaking solo that is undoubtedly the highlight of the score. Mayan civilisation was far from perfect, but the passing of any great empire is something to be marked in a fitting manner, and Rahat\\u2019s moving tribute, wordless though it may be, says it all.\\n\\u2018Apocalypto\\u2019 is a difficult score to rate. Five stars suggest excellence that can be recommended unreservedly to anyone\\u2013which is certainly not the case. \\u2018Apocalypto\\u2019 is not a soundtrack you would buy for your grandmother\\u2019s eightieth birthday. On the other hand, a three-star rating labels the score as average, which is also wide of the mark. Four stars is probably about right\\u2013since it is a score visceral enough to traumatise most listeners, the fifth star is best reserved as a warning to music fans to be careful with this one, and to prepare for what\\u2019s in store!\\nIt is hard to believe that this is the work of the same composer who gave us \\u2018Casper\\u2019s lullaby\\u2019 and \\u2018Where are you Christmas?\\u2019 Anyone thinking that \\u2018Apocalypto\\u2019 would make a fine companion piece to \\u2018Once upon a forest\\u2019 is definitely barking up the wrong tree! The uncompromising \\u2018primitivism\\u2019 of \\u2018Apocalypto\\u2019 was a significant touchstone for Horner\\u2019s \\u2018Avatar\\u2019 score three years later. However, the \\u2018Apocalypto\\u2019 template was refined to make the soundtrack of the Cameron blockbuster more appealing to a mass audience. In broad terms, the \\u2018Avatar\\u2019 score was akin to Horner\\u2019s work on \\u2018The four feathers\\u2019 in aiming for a fusion of familiar Western musical ideas with the altogether more demanding Eastern sounds that Horner delighted in. But on \\u2018Apocalypto\\u2019, emulating the Spanish adventurers of the early sixteenth century, Horner the classically trained composer sailed as far from his customary surroundings as he possibly could, striving for a New World of sound that was dangerous and challenging enough for any Conquistador prepared to go with him. In light of the many attributes of \\u2018Apocalypto\\u2019, and mindful of the outstanding quality of \\u2018All the king\\u2019s men\\u2019, released the same year, it could be argued that in 2006, and sadly for the last time in his career, James Horner yet again raised the bar in the art of creating music for film.\",\"author\":{\"@type\":\"Person\",\"name\":\"Ken Wiggins\",\"sameAs\":\"http:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"http:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2017-01-05T01:28:08+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":4}},{\"@type\":\"Review\",\"reviewBody\":\"James horner will always explore new colors when he get a chance to do it and apocalypto is one of the film that gave james to score differently. His usage of authentic ethnic woodwind instruments combined rahat ali khan's vocals made this score more wonderful.\",\"author\":{\"@type\":\"Person\",\"name\":\"rcshankar506\",\"sameAs\":\"http:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"http:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-09-22T08:51:32+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":3.5}},{\"@type\":\"Review\",\"reviewBody\":\"\",\"author\":{\"@type\":\"Person\",\"name\":\"Goutalier\",\"sameAs\":\"http:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"http:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-08-22T19:13:41+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":4}}]}<\/script>\n<\/div>\n<!--\/review-wrap--> [\/tab]\n<\/p>\n<p 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