{"id":17669,"date":"2014-07-10T00:50:03","date_gmt":"2014-07-09T22:50:03","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/?p=17669"},"modified":"2014-10-24T23:47:14","modified_gmt":"2014-10-24T21:47:14","slug":"pas-de-deux-confidences-de-hakon-et-mari-samuelsen-partie-1-2","status":"publish","type":"post","link":"http:\/\/jameshorner-filmmusic.com\/fr\/pas-de-deux-confidences-de-hakon-et-mari-samuelsen-partie-1-2\/","title":{"rendered":"PAS DE DEUX\u00a0: CONFIDENCES DE HAKON ET MARI SAMUELSEN &#8211; PARTIE 1"},"content":{"rendered":"<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\">En plus d&#39;&ecirc;tre des musiciens charmants et talentueux, Hakon et Mari Samuelsen sont &eacute;galement accessibles et g&eacute;n&eacute;reux. En effet ils n&#39;ont pas h&eacute;sit&eacute; un instant &agrave; partager avec nous la gen&egrave;se de <strong>Pas de Deux<\/strong>, le Double Concerto pour violon et violoncelle compos&eacute; par James Horner dont les premi&egrave;res mondiales sont pr&eacute;vues les 13 et 14 novembre 2014. C&#39;est un r&eacute;el plaisir de publier leurs propos sur le processus cr&eacute;atif de cet &eacute;v&eacute;nement musical majeur.<\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<strong><span style=\"font-size:18px;\">Nous avons appris l&#39;&eacute;criture par James Horner d&#39;un Double Concerto pour violon et violoncelle en 2012. Les propos du compositeur sur votre site date de 2011. <\/span><\/strong><strong><span style=\"font-size:18px;\">C&#39;est donc un long projet qui s&#39;&eacute;tale sur plusieurs ann&eacute;es. Comment tout a commenc&eacute;?<\/span><\/strong>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\"><span lang=\"fr-FR\">Tout <\/span><\/span><span style=\"font-size:18px;\"><span lang=\"fr-FR\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2013\/11\/the_karate_kid_cover.jpg\" style=\"width: 150px; height: 150px; border-width: 1px; border-style: solid; margin: 5px 10px; float: right;\" \/><\/span><\/span><span style=\"font-size:18px;\"><span lang=\"fr-FR\">a commenc&eacute; avec un r&ecirc;ve. Nous r&ecirc;vions qu&#39;un grand compositeur nous &eacute;crive un concerto pour violon et violoncelle avec orchestre. C&#39;&eacute;tait en 2010 et nous imaginions trouver un compositeur avec un univers musical tr&egrave;s tonale et m&eacute;lodique. Le r&eacute;alisateur norv&eacute;gien Harald Zwart nous a dit qu&#39;il pouvait nous pr&eacute;senter &agrave; James Horner car ils avaient r&eacute;cemment travaill&eacute; ensemble sur <strong>Karate Kid<\/strong>. Nous &eacute;tions surpris et tr&egrave;s excit&eacute;s. Nous n&#39;arrivions pas &agrave; croire ce qui se passait.<\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<strong><span style=\"font-size:18px;\">Comment s&#39;est d&eacute;roul&eacute; votre premi&egrave;re rencontre avec lui&nbsp;?<\/span><\/strong>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\"><span lang=\"fr-FR\">Nous avons d&#39;abord rencontr&eacute; James Horner en f&eacute;vrier 2011 &agrave; la r&eacute;sidence de Harald Zwart &agrave; Santa Monica, Los Angeles. Lui et sa femme avaient organis&eacute; un concert priv&eacute; pour nous. James Horner a &eacute;t&eacute; invit&eacute;, mais personne n&#39;&eacute;tait vraiment s&ucirc;r qu&#39;il viendrait. Apr&egrave;s une longue attente, un homme tr&egrave;s sympathique est venu et c&#39;&eacute;tait James Horner ! Nous avons d&ucirc; prolonger le concert, et rejouer quelques pi&egrave;ces, car nous voulions qu&#39;il entende une grande vari&eacute;t&eacute; de notre programme et notre style de jeu. Ensuite nous sommes all&eacute;s vers lui et sans d&eacute;tour nous lui avons simplement demand&eacute; s&#39;il imaginait pouvoir &eacute;crire quelque chose pour nous. Il a dit oui !<\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<strong><span style=\"font-size:18px;\">Pouvez-vous nous parler du Double Concerto&nbsp;? Sa dur&eacute;e, l&#39;esprit g&eacute;n&eacute;ral qui s&#39;en d&eacute;gage&nbsp;?<\/span><\/strong>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\"><span lang=\"fr-FR\"><strong>Pas de Deux<\/strong> est le nom du concerto. Il est en deux parties et sa dur&eacute;e est d&#39;environ 25 &agrave; 30 minutes. Il a &eacute;t&eacute; &eacute;crit pour un orchestre symphonique, un ch&oelig;ur et un solo de violon et violoncelle.<br \/>\n\tL&#39;ambiance g&eacute;n&eacute;rale est tr&egrave;s lyrique et le public reconna&icirc;tra ais&eacute;ment l&#39;univers sonore de James Horner d&eacute;j&agrave; rencontr&eacute; au cours de ses partitions les plus connues. C&#39;est juste un superbe et magnifique concerto !<\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/07\/jh-hakon.jpg\" \/>\n<\/div>\n<div style=\"text-align: center;\">\n\tHakon Samuelsen et James Horner <span class=\"_5yl5\" data-reactid=\".11e.$mid=11404898126308=289c2a8c8fa13af7375.2:0.0.0.0.0\"><span class=\"null\">au Studio 1 d&#39;Abbey Road o&ugrave; l&#39;album sera mix&eacute;.<\/span><\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<strong><span style=\"font-size:18px;\">Est ce que les parties soli seront mises en avant par rapport &agrave; l&#39;orchestre ou ce sera plus une combinaison des deux&nbsp;?<\/span><\/strong>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\"><span lang=\"fr-FR\">Cela sera une combinaison des deux. Les lignes m&eacute;lodiques &eacute;tant tellement &eacute;troitement li&eacute;es qu&#39;il ne devrait pas &ecirc;tre possible de dissocier les soli de la phrase organique. Nous le savons, parce que nous avons d&eacute;j&agrave; eu quelques ateliers avec James Horner &agrave; Londres.<\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<strong><span style=\"font-size:18px;\">Est ce que les r&eacute;p&eacute;titions jusqu&#39;en novembre sont d&eacute;j&agrave; planifi&eacute;es&nbsp;? A quelle rythme se feront-elles&nbsp;?<\/span><\/strong>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\"><span lang=\"fr-FR\">Oui les r&eacute;p&eacute;titions ont d&eacute;j&agrave; commenc&eacute; &agrave; Londres. Celles avec les choeurs d&eacute;buteront en ao&ucirc;t, puis <\/span><\/span><span style=\"font-size:18px;\"><span lang=\"fr-FR\">en octobre <\/span><\/span><span style=\"font-size:18px;\"><span lang=\"fr-FR\">avec l&#39;orchestre, le Royal Liverpool Philharmonic Orchestra. La semaine pr&eacute;c&eacute;dent la premi&egrave;re mondiale sera la plus intense.<\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<hr \/>\n<div>\n\t<span style=\"font-size:18px;\">Un grand merci &agrave; Hakon et Mari pour leur gentilesse et leur disponibilit&eacute;. <\/span>\n<\/div>\n<div>\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\">Les premi&egrave;res mondiales de <strong>Pas de Deux<\/strong> auront lieu le 13 et 14 novembre 2014 <span lang=\"en-US\">au Philharmonic Hall de<\/span> Liverpool. <span lang=\"en-US\">L&#39;orchestre sera dirig&eacute; par Vasily Petrenko. Un des concerts sera retransmis sur la radio britannique Classic FM. Un album &eacute;dit&eacute; par Mercury Classics est pr&eacute;vu pour le printemps 2015. <\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<span style=\"font-size:18px;\"><span lang=\"en-US\">Vous pouvez acheter vos billets en cliquant sur ce lien : <a href=\"https:\/\/boxoffice.liverpoolphil.com\/online\/default.asp?BOparam::WScontent::loadArticle::article_id=AC7043CD-08A0-491F-8DAB-906F89E33DD8\">R&eacute;servations<\/a><\/span><\/span>\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"margin-bottom: 0cm; text-align: justify;\">\n\t<a href=\"http:\/\/www.liverpoolphil.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/07\/liverpool-philharmonic.jpg\" style=\"width: 250px; height: 80px; border-width: 1px; border-style: solid; float: left; margin-left: 5px; margin-right: 5px;\" \/><\/a> <a href=\"http:\/\/www.mercuryclassics.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/06\/mercuryclassics.jpg\" style=\"width: 151px; height: 80px; border-width: 1px; border-style: solid; margin-left: 5px; margin-right: 5px;\" \/><\/a> <a href=\"http:\/\/www.classicfm.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/07\/classic-FM.jpg\" style=\"width: 246px; height: 80px; border-width: 1px; border-style: solid; float: left; margin-left: 5px; margin-right: 5px;\" \/><\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>En plus d&#39;&ecirc;tre des musiciens charmants et talentueux, Hakon et Mari Samuelsen sont &eacute;galement accessibles et g&eacute;n&eacute;reux. En effet ils [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17675,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[439,8,1543],"tags":[14,215,1617,1760,1618,1626],"class_list":["post-17669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles-fr","category-entretiens","category-oeuvres-de-concerts","tag-abbey-road-studios","tag-karate-kid-2","tag-mari-et-hakon-samulesen","tag-pas-de-deux","tag-royal-liverpool-philharmonic-orchestra","tag-vasily-petrenko"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PAS DE DEUX\u00a0: CONFIDENCES DE HAKON ET MARI SAMUELSEN - PARTIE 1<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/pas-de-deux-confidences-de-hakon-et-mari-samuelsen-partie-1-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PAS DE DEUX\u00a0: CONFIDENCES DE HAKON ET MARI SAMUELSEN - PARTIE 1\" \/>\n<meta property=\"og:description\" content=\"En plus d&#039;&ecirc;tre des musiciens charmants et talentueux, Hakon et Mari Samuelsen sont &eacute;galement accessibles et g&eacute;n&eacute;reux. 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