{"id":1993,"date":"2011-01-27T10:42:57","date_gmt":"2011-01-27T10:42:57","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/fr\/?p=1993"},"modified":"2013-02-21T12:20:21","modified_gmt":"2013-02-21T12:20:21","slug":"les-toiles-abstraites-de-james-horner","status":"publish","type":"post","link":"http:\/\/jameshorner-filmmusic.com\/fr\/les-toiles-abstraites-de-james-horner\/","title":{"rendered":"LES TOILES ABSTRAITES DE JAMES HORNER"},"content":{"rendered":"

\n\t\"analysemusiquedefilms\"<\/a>Un texte  écrit par David Hocquet<\/strong> est paru dans le livre "Analyser la musique de film<\/strong>" (2010), ouvrage collectif sous la direction de Fréderic Gimello-Mesplomb<\/strong>,  Maître de conférences à l'Université de Metz. C'est un livre qui présente des retours d'expériences, autour de la musique de film, conduites dans le milieu de l'enseignement.<\/span><\/span><\/span>\n<\/p>\n

\n\tLe texte fait 8 pages et se nomme "Les toiles abstraites de James Horner : la partition composée pour le film Willow<\/span>".<\/span><\/span><\/span>\n<\/p>\n

\n\tExtrait : <\/span><\/span><\/span>\n<\/div>\n
\n
\n\t\t"L'identification entre palette instrumentale et couleurs musicales (harmoniques, mélodiques, rythmiques) peut également se traduire par la migration d'éléments issus du répertoire intime du compositeur, notamment son penchant pour Prokofiev, Britten, la musique russe ou le répertoire classique de façon plus large, qu'il n'hésite pas à introduire dans ses partitions dans un esprit de complémentarité musicale ou de contrepoint à l'image. L'effet produit peut-être émotionnel, musicale, dramatique, philosophique (ou tout cela à la fois)."<\/em><\/span><\/span><\/span>\n\t<\/div>\n<\/blockquote>\n
\n\tEditions BOD, 2010  ISBN 978-2-8106-2063-0 Couverture souple 188 Pages 15 euros<\/span><\/span>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Un texte  écrit par David Hocquet est paru dans le livre "Analyser la musique de film" (2010), ouvrage collectif sous la direction […]<\/p>\n","protected":false},"author":1,"featured_media":8983,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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par David Hocquet est paru dans le livre "Analyser la musique de film" (2010), ouvrage collectif sous la direction […]\" \/>\n<meta property=\"og:url\" content=\"http:\/\/jameshorner-filmmusic.com\/fr\/les-toiles-abstraites-de-james-horner\/\" \/>\n<meta property=\"og:site_name\" content=\"JAMES HORNER\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pages\/James-Horner-Film-Music\/100282013394913\" \/>\n<meta property=\"article:published_time\" content=\"2011-01-27T10:42:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-02-21T12:20:21+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2011\/01\/willow.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Baptiste Martin\" \/>\n<meta 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