{"id":540,"date":"2011-02-20T22:21:11","date_gmt":"2011-02-20T22:21:11","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/"},"modified":"2016-06-20T14:58:41","modified_gmt":"2016-06-20T12:58:41","slug":"aliens","status":"publish","type":"page","link":"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/aliens\/","title":{"rendered":"ALIENS"},"content":{"rendered":"<div style=\"text-align: center;\">\n\t<img decoding=\"async\" alt=\"ALIENS\" src=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/alienstitre.jpg\" style=\"height: 180px; width: 600px;\" \/>\n<\/div>\n<div>\n\t<center><\/p>\n<div>\n\t\t\t<div class=\"rwp-users-rating-shortcode\" ><div class=\"rwp-rating-stars\"\n\t\t\t\t\t style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png); width: 120px; \">\n\t\t\t\t\t <div style=\"width: 112.8px; \"><\/div>\n\t\t\t  \t<\/div><div class=\"rwp-rating-stars-count\" >(6 reviews)<\/div><\/div>\n\t\t<\/div>\n<p>\t<\/center>\n<\/div>\n<div>\n<p>\n\t\t[tabs tab1=TITRES INFORMATIONS AUDIO &#8220;ARTICLES \/ PAGES&#8221; AVIS]<br \/>\n\t\t[tab]\n\t<\/p>\n<div>\n\t\t<a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode1\/Aliens - cover.jpg\"><img decoding=\"async\" alt=\" \tTrack listing  1.  \tMain Title (05:07) 2.  \tGoing After Next (03:16) 3.  \tSub-level 3 (06:34) 4.  \tRipley's Rescue (03:16) 5.  \tAtmosphere Station (03:13) 6.  \tFutile Escape (08:26) 7.  \tDark Discovery (01:52) 8.  \tBishop's Countdown (02:49) 9.  \tResolution &amp; Hyperspace (06:24) \" src=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode1\/aliensa.jpg\" style=\"height: 487px; width: 650px;\" \/><\/a>\n\t<\/div>\n<div>\n\t\t<a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode1\/Aliens (Deluxe) - cover.jpg\"><img decoding=\"async\" alt=\"1.  \tMain Title (05:13) 2.  \tBad Dreams (01:22) 3.  \tDark Discovery \/ Newt's Horror (02:07) 4.  \tLV-426 (02:03) 5.  \tCombat Drop (03:29) 6.  \tThe Complex (01:34) 7.  \tAtmosphere Station (03:11) 8.  \tMed. Lab. (02:04) 9.  \tNewt (01:14) 10.  \tSub-Level 3 (06:36) 11.  \tRipley's Rescue (03:19) 12.  \tFaceHuggers (04:24) 13.  \tFutile Escape (08:29) 14.  \tNewt Is Taken (02:04) 15.  \tGoing After Newt (03:18) 16.  \tThe Queen (01:45) 17.  \tBishop's Countdown (02:50) 18.  \tQueen To Bishop (02:31) 19.  \tResolution And Hyperscape (06:27) 20.  \tBad Dreams (Alternate) (01:23) 21.  \tRipley's Rescue (Percussion Only) (03:20) 22.  \tLV-426 (Alternate Edit - Film Version) (01:13) 23.  \tCombat Drop (Percussion Only) (03:24) 24.  \tHyperspace (Alternate Ending) (02:08) \" src=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode1\/aliensb.jpg\" style=\"height: 795px; width: 650px;\" \/><\/a>\n\t<\/div>\n<div>\n\t\t&nbsp;\n\t<\/div>\n<p>\n\t\t[\/tab]\n\t<\/p>\n<p>\n\t\t<br \/>\n\t\t[tab]\n\t<\/p>\n<p>\n\t\t&nbsp;\n\t<\/p>\n<div>\n<div>\n<div>\n<div>\n\t\t\t\t\t<img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/images\/albums\/Fiche\/periode1\/FT\/FT%20aliens.jpg\" \/>\n\t\t\t\t<\/div>\n<div>\n\t\t\t\t\t<span style=\"font-size:20px;\">Enregistr&eacute; entre le 15 et 26 avril 1986, &agrave; <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/abbey-road-studios\">Abbey Road Studios<\/a>, Londres<\/span>\n\t\t\t\t<\/div>\n<div>\n\t\t\t\t\t<span style=\"font-size:20px;\">Orchestrations : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/greig-mcritchie\">Greig McRitchie<\/a><\/span>\n\t\t\t\t<\/div>\n<div>\n\t\t\t\t\t<span style=\"font-size:20px;\">Orchestre : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/london-symphony-orchestra\">London Symphony Orchestra<\/a><\/span>\n\t\t\t\t<\/div>\n<div>\n\t\t\t\t\t<span style=\"font-size:20px;\">Ing&eacute;nieur du son : <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations\/eric-tomlinson\">Eric Tomlinson<\/a><\/span>\n\t\t\t\t<\/div>\n<div>\n<div style=\"text-align: left;\">\n\t\t\t\t\t\t<span style=\"font-size:20px;\"><span style=\"font-family: arial,helvetica,sans-serif;\">Monteur: <\/span><a href=\"https:\/\/jameshorner-filmmusic.com\/collaborations-english\/michael-clifford\/\">Michael Clifford<\/a><\/span>\n\t\t\t\t\t<\/div>\n<div style=\"text-align: left;\">\n\t\t\t\t\t\t<span style=\"font-size:20px;\">Synth&eacute;tiseur: <a href=\"https:\/\/jameshorner-filmmusic.com\/collaborations-english\/ian-underwood\/\">Ian Underwood<\/a><\/span>\n\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div>\n\t\t\t\t\t&nbsp;\n\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>\n\t\t[\/tab]\n\t<\/p>\n<p>\n\t\t[tab]\n\t<\/p>\n<p>\n\t\t<iframe allowtransparency=\"true\" frameborder=\"0\" height=\"240\" scrolling=\"no\" src=\"http:\/\/www.deezer.com\/plugins\/player?autoplay=false&amp;playlist=true&amp;width=700&amp;height=240&amp;cover=true&amp;type=playlist&amp;id=59032622&amp;title=&amp;app_id=undefined\" width=\"700\"><\/iframe>\n\t<\/p>\n<p>\n\t\t[\/tab]\n\t<\/p>\n<p>\n\t\t[tab]\n\t<\/p>\n<!-- BOF Special Recent Posts PRO ver2.1 --><div class=\"srp-widget-container\"><h3 class=\"widget-title\">Special Recent Posts<\/h3>\n<div id=\"srp-singlepost-1\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/collage-last-work\/\" title=\"COLLAGE &ndash; THE LAST WORK\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9jb2xsYWdlXzIwMA==.jpg\" alt=\"COLLAGE &ndash; THE LAST WORK\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/collage-last-work\/\" title=\"COLLAGE &ndash; THE LAST WORK\">COLLAGE &ndash; THE LAST WORK<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\r\n\t\r\n\r\n\r\n\r\n\t[tabs tab1=PISTES INFORMATIONS AUDIO VIDEO \"ARTICLES \/ PAGES\" AVIS]\r\n\t[tab] [\/tab]\r\n\t[tab]\r\n\r\n\r\n\r\n\tOrchestre Royal Philharmonique de Liverpool conduit par David Arnold (1-8)\r\n\r\n\r\n\r\n\tOrchestre Philharmonique de Londresl conduit par Jaime Martin (9-14)\r\n\r\n\r\n\r\n\tArrang&eacute; par Trevor Gomes et J.A.C. Redford (1 &amp; 4)\r\n\r\n\r\n\r\n\tAdapt&eacute; par Paul Bateman (3) \r\n\r\n\r\n\r\n\tOrchestrations par Thomas Pasatieri (2): Simon Rhodes (5); J.A.C. Redford (6); James Horner et J.A.C. Redford (7); Greig McRitchie (8)\r\n\tProducteur ex&eacute;cutif : Dr. Alexander Buhr\r\n\r\n\r\n\r\n\tCoordinateurs du projet : Cerys Weetch (Track 1-14), Hannah Bishay ( Tracks 9-14)\r\n\tProducteur de l&#39;enregistrement : Simon Rhodes (Tracks 1, 3-5, 7, 9-14), Andrew Cornall (Tracks 2, 6, 8)\r\n\tIng&eacute;nieur de la balance : Phillip Siney (Tracks<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/collage-last-work\/\" title=\"COLLAGE &ndash; THE LAST WORK\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-2\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collage-nouvelles-informations-2-cd-gagner\/\" title=\"COLLAGE : NOUVELLES INFORMATIONS ET 2 CD &Agrave; GAGNER\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9jb2xsYWdlLTEwMjR4MTAyNA==.jpg\" alt=\"COLLAGE : NOUVELLES INFORMATIONS ET 2 CD &Agrave; GAGNER\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collage-nouvelles-informations-2-cd-gagner\/\" title=\"COLLAGE : NOUVELLES INFORMATIONS ET 2 CD &Agrave; GAGNER\">COLLAGE : NOUVELLES INFORMATIONS ET 2 CD &Agrave; GAGNER<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\tD&eacute;but juin, nous vous avions annonc&eacute; en exclusivit&eacute; la sortie de Collage pour cet automne. Voil&agrave; enfin des informations plus pr&eacute;cises divulgu&eacute;es par Amazon.com et Beucher.de\r\n\t\r\n\r\n\t\r\n\t\tL&#39;album sortira le 23 septembre 2016 chez Mercury Classics. Il se nomme&nbsp;: Collage - The Last Work. Le label fera une annonce officielle jeudi 11 ao&ucirc;t. Cette annonce sera notamment suivie d&#39;extraits et de vid&eacute;os.\r\n\t\r\n\r\n\t\r\n\t\t[divider]NOUVELLES INFORMATIONS[\/divider]\r\n\t\tEn plus de Collage dont la dur&eacute;e est de 22 minutes, l&#39;album proposera des nouvelles interpr&eacute;tations de pi&egrave;ces tir&eacute;es de Legends Of the Fall, For Greater Glory, Wolf Totem, Iris, Aliens et surtout deux pi&egrave;ces in&eacute;dites &eacute;crites pour First In<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collage-nouvelles-informations-2-cd-gagner\/\" title=\"COLLAGE : NOUVELLES INFORMATIONS ET 2 CD &Agrave; GAGNER\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-3\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/sorties-vinyle-aliens-star-trek-ii-spider-man\/\" title=\"SORTIES VINYLE : ALIENS, STAR TREK II, SPIDER-MAN\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9iYW5uZXJfbHBfYXJ0aWNsZV9hbGllbnNfc3RJSV9saWdodA==.jpg\" alt=\"SORTIES VINYLE : ALIENS, STAR TREK II, SPIDER-MAN\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/sorties-vinyle-aliens-star-trek-ii-spider-man\/\" title=\"SORTIES VINYLE : ALIENS, STAR TREK II, SPIDER-MAN\">SORTIES VINYLE : ALIENS, STAR TREK II, SPIDER-MAN<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\tEn juillet 2015, Aliens est sorti au format vinyle gr&acirc;ce &agrave; l&#39;&eacute;diteur Mondo, qui cr&eacute;e des &eacute;ditions limit&eacute;e de posters de films &agrave; travers des sorties de bandes-originales au format vinyle, r&eacute;&eacute;ditions de VHS, jouets... Le contenu est identique &agrave; la version Edition Deluxe publi&eacute; chez Varese Sarabande en 2001. Les deux premi&egrave;res versions (transparente et noir\/jaune) semblent &eacute;puis&eacute;e. Seule la version exclusive bleu et jaune pour le site Newburycomics.com est encore disponible. \r\n\r\n\r\n\r\n\t&nbsp;\r\n\r\n\r\n\r\n\tDouble vinyle transparent: &eacute;puis&eacute;\r\n\r\n\r\n\r\n\t\r\n\r\n\r\n\r\n\tDouble vinyle tourbillon bleu, noir et jaune : &eacute;puis&eacute;\r\n\r\n\r\n\r\n\t\r\n\r\n\r\n\r\n\tBrume bleu et jaune : Acheter cette &eacute;dition du double vinyl Aliens \r\n\r\n\r\n\r\n\t\r\n\r\n\r\n\r\n\t&nbsp;\r\n\r\n\r\n\r\n\tEn ce mois de<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/sorties-vinyle-aliens-star-trek-ii-spider-man\/\" title=\"SORTIES VINYLE : ALIENS, STAR TREK II, SPIDER-MAN\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-4\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/wolf-totem-james-et-le-loup\/\" title=\"WOLF TOTEM : JAMES ET LE LOUP\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm93b2xmX3RvdGVtX2phbWVzX2FuZF90aGVfd29sZl9iYW5uZXI=.jpg\" alt=\"WOLF TOTEM : JAMES ET LE LOUP\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/wolf-totem-james-et-le-loup\/\" title=\"WOLF TOTEM : JAMES ET LE LOUP\">WOLF TOTEM : JAMES ET LE LOUP<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\nP { margin-bottom: 0.21cm; }\t\r\n\t\r\n\t\tTout au long de sa carri&egrave;re, soit plus de 130 musiques de film, James Horner a d&eacute;j&agrave; crois&eacute; le chemin du loup, mammif&egrave;re fascinant, source d&rsquo;innombrables contes, rumeurs et l&eacute;gendes.\r\n\t\r\n\r\n\t\r\n\t\t&nbsp;\r\n\t\r\n\r\n\t\r\n\t\tLa premi&egrave;re rencontre remonte &agrave; 1981 pour Wolfen, thriller horrifique de Michael Wadleigh (Woodstock) o&ugrave; des indiens m&eacute;tamorphos&eacute;s en loups semaient la terreur dans les rues de New York. Des cuivres angoissants incarnaient alors le c&ocirc;t&eacute; sombre de cet animal aux crocs ac&eacute;r&eacute;s, menaces perp&eacute;tuelles pour les chairs tendres et innocentes.\r\n\t\r\n\r\n\t\r\n\t\tUne noirceur musicale reprise quelques ann&eacute;es plus tard dans Aliens (1986) pour appuyer l&#39;ambiance suffocante mis en<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/wolf-totem-james-et-le-loup\/\" title=\"WOLF TOTEM : JAMES ET LE LOUP\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-5\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/james-horner-a-la-premiere-norvegienne-de-pas-de-deux\/\" title=\"JAMES HORNER &Agrave; LA PREMI&Egrave;RE NORV&Eacute;GIENNE DE PAS DE DEUX\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9oYWtvbi1tYXJpLWhvcm5lcg==.jpg\" alt=\"JAMES HORNER &Agrave; LA PREMI&Egrave;RE NORV&Eacute;GIENNE DE PAS DE DEUX\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/james-horner-a-la-premiere-norvegienne-de-pas-de-deux\/\" title=\"JAMES HORNER &Agrave; LA PREMI&Egrave;RE NORV&Eacute;GIENNE DE PAS DE DEUX\">JAMES HORNER &Agrave; LA PREMI&Egrave;RE NORV&Eacute;GIENNE DE PAS DE DEUX<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\tApr&egrave;s avoir d&ucirc; se retirer de la direction de l&#39;orchestre de Titanic Live &agrave; Londres en raison d&#39;une blessure &agrave; l&#39;&eacute;paule, James Horner reviendra en tant que chef d&#39;orchestre pour un concert &agrave; Stavanger, en Norv&egrave;ge, le 13 mai. Le principal &eacute;v&eacute;nement du concert est la premi&egrave;re norv&eacute;gienne de Pas De Deux, double concerto du compositeur pour violon et violoncelle, &eacute;crit sp&eacute;cialement pour les musiciens norv&eacute;giens de renom Mari et H&aring;kon Samuelsen. Il seront accompagn&eacute;s par l&#39;Orchestre Symphonique de Stavanger.\r\n\t&nbsp;\r\n\r\n\r\n\r\n\t\r\n\r\n\r\n\r\n\t\r\n\tEn plus du concerto, des musiques de films compos&eacute;es par James Horner seront au programme afin d&#39;honorer sa longue et impressionnante<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/james-horner-a-la-premiere-norvegienne-de-pas-de-deux\/\" title=\"JAMES HORNER &Agrave; LA PREMI&Egrave;RE NORV&Eacute;GIENNE DE PAS DE DEUX\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-6\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/vienne-2013-entretien-avec-james-horner-par-thor-joachim-haga\/\" title=\"VIENNE 2013&nbsp;: ENTRETIEN AVEC JAMES HORNER PAR THOR JOACHIM HAGA\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9ob3JuZXItMTAyNHg0ODk=.jpg\" alt=\"VIENNE 2013&nbsp;: ENTRETIEN AVEC JAMES HORNER PAR THOR JOACHIM HAGA\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/vienne-2013-entretien-avec-james-horner-par-thor-joachim-haga\/\" title=\"VIENNE 2013&nbsp;: ENTRETIEN AVEC JAMES HORNER PAR THOR JOACHIM HAGA\">VIENNE 2013&nbsp;: ENTRETIEN AVEC JAMES HORNER PAR THOR JOACHIM HAGA<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\tVendredi 4 Octobre 2013. \r\n\t\r\n\r\n\t\r\n\t\tEn plein milieu de l&#39;&eacute;v&eacute;nement musical Hollywood In Vienna, James Horner a &eacute;t&eacute; interview&eacute; par Thor Joachim Haga pour le site Tunes Celluloid et le web magazine norv&eacute;gien Montages.no.\r\n\t\r\n\r\n\t\r\n\t\tSont aussi inclus des entretiens avec le compositeur de film David Newman, qui a dirig&eacute; l&#39;orchestre lors des concerts, ainsi que la productrice du festival Sandra Tomek. Cependant, les points forts &eacute;vidents sont les quelques questions pos&eacute;es &agrave; James Horner lui-m&ecirc;me, plac&eacute;es entre des extraits du concert&nbsp;: le g&eacute;n&eacute;rique de fin de Star Trek II - La col&egrave;re de Khan, de Braveheart, ainsi que des parties d&#39;Aliens, L&eacute;gendes<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/vienne-2013-entretien-avec-james-horner-par-thor-joachim-haga\/\" title=\"VIENNE 2013&nbsp;: ENTRETIEN AVEC JAMES HORNER PAR THOR JOACHIM HAGA\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-7\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/abbey-road-studios\/\" title=\"ABBEY ROAD STUDIOS\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9hYmJleTE=.jpg\" alt=\"ABBEY ROAD STUDIOS\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/abbey-road-studios\/\" title=\"ABBEY ROAD STUDIOS\">ABBEY ROAD STUDIOS<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\tOxyman [CC-BY-SA-2.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tAbbey Road Studios (anciennement studios EMI) sont des studios d&#39;enregistrement situ&eacute;s &agrave; Londres. Ils existent depuis 1931. Leur nom actuel est un hommage &agrave; l&#39;album &eacute;ponyme du groupe The Beatles qui y a enregistr&eacute; la plupart de ses chansons dans les ann&eacute;es 60. Plusieurs groupes c&eacute;l&egrave;bres y ont enregistr&eacute;, tels que Pink Floyd, ou plus r&eacute;cemment Oasis et Radiohead.\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSite officiel : abbeyroad.com\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tSource : Wikip&eacute;dia\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/abbey-road-studios\/\" title=\"ABBEY ROAD STUDIOS\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-8\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/greig-mcritchie\/\" title=\"GREIG McRITCHIE\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9tY3JpdGNoaWUx.jpg\" alt=\"GREIG McRITCHIE\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/greig-mcritchie\/\" title=\"GREIG McRITCHIE\">GREIG McRITCHIE<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tGreig McRITCHIE (1914-1997) est surtout connu pour avoir &eacute;t&eacute; orchestrateur dans bon nombre de musiques de films aussi c&eacute;l&egrave;bres que Conan, Krull, Aliens, An American Tail, The Land Before Time, Dances Avec Les Loups, Starship Troopers, etc.\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tIl fut &eacute;galement compositeur pour le cin&eacute;ma et le petit &eacute;cran, surtout dans les ann&eacute;es 60 et 70, o&ugrave; il a particip&eacute; &agrave; des projets aussi vari&eacute;s que Dr&ocirc;les de Dames, Dynasty, Starsky &amp; Hutch, La croisi&egrave;re s&#39;amuse&hellip;\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\tSource : Variety\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tProjets non &eacute;dit&eacute;s :\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\tP.K. and The kid, Off beat, Between friends\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\r\n\t\t\r\n\t\t\t&nbsp;\r\n\t\t\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/greig-mcritchie\/\" title=\"GREIG McRITCHIE\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-9\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/eric-tomlinson\/\" title=\"ERIC TOMLINSON\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm90b21saW5zb24x.png\" alt=\"ERIC TOMLINSON\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/eric-tomlinson\/\" title=\"ERIC TOMLINSON\">ERIC TOMLINSON<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t&copy; malonedigital.com\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\tEric Tomlinson a collabor&eacute; depuis 1959 avec de nombreux compositeurs de grande envergure: John Barry, John Williams, Jerry Goldsmith et James Horner. Il &eacute;tait admir&eacute; pour sa capacit&eacute; &agrave; obtenir rapidement un &eacute;quilibre et offrir habilement un mixage en direct pendant les sessions. \r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\tSource : malonedigital.com\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t&nbsp;\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/eric-tomlinson\/\" title=\"ERIC TOMLINSON\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-10\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/james-cameron\/\" title=\"JAMES CAMERON\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9KYW1lc0NhbWVyb24x.png\" alt=\"JAMES CAMERON\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/james-cameron\/\" title=\"JAMES CAMERON\">JAMES CAMERON<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\tAngela George [CC-BY-SA-3.0], via Wikimedia Commons\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\tJames Francis Cameron est un r&eacute;alisateur, sc&eacute;nariste et producteur canadien, n&eacute; le 16&nbsp;ao&ucirc;t&nbsp;1954 &agrave; Kapuskasing (Ontario, Canada). Il a r&eacute;alis&eacute;, &eacute;crit et produit les films Terminator (1984), Aliens, le retour (1986), Abyss (1989), Terminator 2 (1991), True Lies (1994), Titanic (1997) et Avatar (2009).\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\tPour Titanic, il a re&ccedil;u en 1998, l&#39;Oscar du meilleur film et du meilleur r&eacute;alisateur. Le film remporta &eacute;galement neuf autres Oscars. Le budget du film s&#39;&eacute;leva &agrave; pr&egrave;s de 200 millions de dollars.\r\n\t\t\t\t\t\t\r\n\r\n\t\t\t\t\t\t\r\n\t\t\t\t\t\t\tEn 2009,&nbsp;Avatar, dont le budget est estim&eacute; &agrave; pr&egrave;s de 400 millions de dollars, devient le plus grand succ&egrave;s<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/james-cameron\/\" title=\"JAMES CAMERON\">[...]<\/a>\n<\/p><\/div><\/div><div id=\"srp-singlepost-11\" class=\"srp-widget-singlepost srp-single-column\"><div class=\"srp-thumbnail-box\"><a class=\"srp-widget-thmblink\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/aliens\/\" title=\"ALIENS\"><img decoding=\"async\" class=\"srp-widget-thmb\" src=\"https:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/special-recent-posts\/cache\/MTAwMTAwbm9BbGllbnMtRGVsdXhlLWNvdmVy.jpg\" alt=\"ALIENS\">\n<\/a>\n<\/div>\n<div class=\"srp-content-box\"><h4 class=\"srp-post-title\"><a class=\"srp-post-title-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/aliens\/\" title=\"ALIENS\">ALIENS<\/a>\n<\/h4>\n<p class=\"srp-widget-excerpt\">\r\n\t\r\n\r\n\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n\r\n\r\n\t\r\n\t\t[tabs tab1=TITRES INFORMATIONS AUDIO \"ARTICLES \/ PAGES\" AVIS]\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t&nbsp;\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t&nbsp;\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\r\n\t\t\t\t\r\n\t\t\t\t\tEnregistr&eacute; entre le 15 et 26 avril 1986, &agrave; Abbey Road Studios, Londres\r\n\t\t\t\t\r\n\r\n\t\t\t\t\r\n\t\t\t\t\tOrchestrations : Greig McRitchie\r\n\t\t\t\t\r\n\r\n\t\t\t\t\r\n\t\t\t\t\tOrchestre : London Symphony Orchestra\r\n\t\t\t\t\r\n\r\n\t\t\t\t\r\n\t\t\t\t\tIng&eacute;nieur du son : Eric Tomlinson\r\n\t\t\t\t\r\n\r\n\t\t\t\t\r\n\t\t\t\t\t\r\n\t\t\t\t\t\tMonteur: Michael Clifford\r\n\t\t\t\t\t\r\n\r\n\t\t\t\t\t\r\n\t\t\t\t\t\tSynth&eacute;tiseur: Ian Underwood\r\n\t\t\t\t\t\r\n\t\t\t\t\r\n\r\n\t\t\t\t\r\n\t\t\t\t\t&nbsp;\r\n\t\t\t\t\r\n\t\t\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t\r\n\t\t[tab]\r\n\t\r\n\r\n\t\r\n\t\t\r\n\t\r\n\r\n\t\r\n\t\t[\/tab]\r\n\t\r\n\r\n\t[tab]  [\/tab]\r\n\r\n\t\r\n\t\t[\/tabs]\r\n\t\r\n<a class=\"srp-widget-stringbreak-link\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/aliens\/\" title=\"ALIENS\">[...]<\/a>\n<\/p><\/div><\/div><br style=\"clear:both; height: 0px;\">\n<\/div><!-- EOF Special Recent Posts PRO ver2.5.2 -->\n<p>\n\t\t[\/tab]\n\t<\/p>\n<p style=\"line-height: 0.5cm;\">\n\t[tab] <!--RWP Review-->\n<div class=\"rwp-review-wrap rwp-theme-6\" id=\"rwp-review-9678-0-1061990252\" style=\"color: #2a2a2a; font-size: 14px\" data-post-id=\"9678\" data-box-id=\"0\" data-template-id=\"1\" data-disabled=\"0\" data-sharing-review-link-label=\"Copy and paste the URL to share the review\" data-per-page=\"10\">\n\n    <div class=\"rwp-review\">\n        \n        <div class=\"rwp-header rwp-has-image\"><div class=\"rwp-review-image\">\n\t\n\t\t<span style=\"background-image: url(https:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2011\/02\/Aliens-Deluxe-cover.jpg);\"><\/span>\n\n\t<\/div> <!-- \/review-image -->\n\n<div class=\"rwp-overalls\">\n<div\n    class=\"rwp-users-score rwp-ur\"\n\n       \tstyle=\"background: #3b3c3e; \"\n    >\n\n\t\n\n\t\t<span v-cloak class=\"rwp-users-score-value\"  > {{ reviewsOverall }} <i>\/ 5<\/i><\/span>\n    <span class=\"rwp-users-score-label\">Users<\/span>\n    <span class=\"rwp-users-score-count\">(<i v-text=\"reviewsCount\">6<\/i> reviews)<\/span>\n\t\n<\/div><!--\/users-score-->\n\n<\/div> <!-- \/overalls --><div class=\"rwp-scores rwp-ur\">\n\n<div class=\"rwp-criterion\"><span class=\"rwp-criterion-label\" style=\"font-size: 12px; line-height: 12px;\">YOUR RATING<\/span><div class=\"rwp-str\"><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-o rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><span class=\"rwp-s rwp-e rwp-f\" style=\"background-image: url(http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png);\"><\/span><\/div><!-- \/stars --><\/div><!-- \/criterion -->\n<\/div> <!-- \/scores -->\n<\/div> <!-- \/header -->\t<div class=\"rwp-users-reviews-wrap\">\n\t\t\t\t<span class=\"rwp-people-label\" style=\"color: #974726;\n        \t   font-size: 18px;\n        \t   line-height: 18px;\">What people say...\n\t\t\t<i style=\"background-color: #974726;\n\t\t\t\t  font-size: 12px;\n\t\t\t\t  border-radius: 12px;\n\t\t\t\t  -webkit-border-radius: 12px;\" v-text=\"reviews.length\"><\/i>\n\n\t\t\t<em style=\"color: #2a2a2a;\n\t               font-size: 14px;\n\t               line-height: 1.2em;\">\n\t\t\t\t\t\t\t\t\t<a href=\"#rwp-ratings-form-9678-0\">Leave your rating<\/a>\n\t\t\t\t\t\t\t<\/em>\n\t\t<\/span>\n\n\t\t<span class=\"rwp-loading-icon\" v-show=\"loading\"><\/span><!-- \/loader-->\n\n\t\t<div class=\"rwp-select rwp-box__sorting\" v-show=\"reviews.length > 0\">\n\t\t\t<i>Order by:<\/i>\n\t\t\t<select v-on:change=\"sortReviews\" v-model=\"sorting\">\n\t\t\t\t\t\t\t\t\t<option value=\"mostRecent\">Most recent<\/option>\n\t\t\t\t\t\t\t\t\t<option value=\"topScore\">Top 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v-bind:href=\"generateProfileLink('', 'username', review)\" v-else><img class=\"rwp-u-review__avatar\" v-bind:src=\"review.rating_user_avatar\" alt=\"User Avatar\" \/><\/a>\n\t\t\t\t\t\t\t\t\t\t\t<\/div><!-- \u2044user section -->\n\t\t\t\t\n\t\t\t\t<div class=\"rwp-u-review__content \">\n\n\t\t\t\t\t<div class=\"rwp-u-review__userinfo\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span v-if=\"review.rating_user_id <= 0 || '' == ''\" class=\"rwp-u-review__username\" v-text=\"review.rating_user_name\"><\/span>\n\n\t\t\t\t\t\t\t<a v-bind:href=\"generateProfileLink('', 'username', review)\" v-else class=\"rwp-u-review__username\" v-text=\"review.rating_user_name\"><\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__badges\" v-if=\"typeof review.rating_verified != 'undefined' && review.rating_verified\">\n\t\t\t\t\t\t\t<span class=\"rwp-u-review__badge\" style=\"background: #d1aa00;\">GOLD REVIEWER<\/span>\n\t\t\t\t\t\t<\/div><!-- \/badges -->\n\t\t\t\t\t<\/div><!-- \/user -->\n\n\t\t\t\t\t<div class=\"rwp-u-review__date\" v-text=\"review.rating_formatted_date\"><\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<div class=\"rwp-u-review__scores\">\n\t\t\t\t\t\t\t<rwp-score-star\n\t\t\t\t\t\t\t\t\tv-bind:score=\"parseFloat(review.rating_score[0])\"\n\t\t\t\t\t\t\t\t\tv-bind:min=\"parseFloat(0)\"\n\t\t\t\t\t\t\t\t\tv-bind:max=\"parseFloat(5)\"\n\t\t\t\t\t\t\t\t\tv-bind:icon=\"'http:\/\/jameshorner-filmmusic.com\/wp-content\/plugins\/reviewer\/public\/assets\/images\/rating-star.png'\"\n\t\t\t\t\t\t\t\t\tlabel=\"\"><\/rwp-score-star>\t\t\t\t\t\t<\/div><!-- \/scores section -->\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__comment\">{{{review.rating_comment | nl2br}}}<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__images\">\n\t\t\t\t\t\t\t<a class=\"rwp-u-review__image\" v-for=\"image in review.attachments\" v-bind:href=\"image.src\" target=\"_blank\" v-on:click.prevent=\"openPhotoSwipeGallery(review.attachments, $index)\">\n\t\t\t\t\t\t\t\t<span class=\"rwp-u-review__thumb\" v-bind:style=\"{ backgroundImage: 'url('+image.thumb_url+')', height: image.thumb_height + 'px', width: image.thumb_width + 'px' }\"><\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__actions\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__sharing\">\n\t\t\t\t\t\t\t\t\t<a v-for=\"url in review.rating_socials_url\" v-bind:href=\"url\" class=\"rwp-u-review__sharing-icon {{ '--rwp-' + $key }}\" v-on:click=\"shareReview($event, $key)\"><\/a>\n\t\t\t\t\t\t\t\t<\/div><!-- \/sharing section -->\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"rwp-u-review__sharing rwp-replies-count\" @click=\"toggleReplies(review)\">\n\t\t\t\t\t\t\t\t\t<span class=\"rwp-u-review__sharing-icon --rwp-comment\"><\/span>\n\t\t\t\t\t\t\t\t\t<span>Replies<\/span>\n\t\t\t\t\t\t\t\t\t<span 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\" \/>\n\t\t\t\t\t<span class=\"rwp-loader\"><\/span><!-- \/loader-->\n\t\t\t\t<\/p>\n\n\t\t\t<\/div> <!-- \/rating-form-content -->\n\n\t\t<\/div><!-- \/rating-form -->\n\n\t\t<div class=\"rwp-notification --rwp-notice-with-error\"><\/div>\n\n\t<\/div> <!-- \/ratings-form-wrap -->\n\n    <\/div><!-- \/review -->\n\n    <script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@type\":\"Product\",\"name\":\"ALIENS\",\"aggregateRating\":{\"@type\":\"AggregateRating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":4.7,\"ratingCount\":6},\"review\":[{\"@type\":\"Review\",\"reviewBody\":\"I think this is one of the very best soundtracks ever written. The action and horror parts are absolute incredible. For me the Highlights are Facehugger, Ripley's rescue and Bishop's countdown. But all tracks are great.\",\"author\":{\"@type\":\"Person\",\"name\":\"Martin\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2018-09-20T21:26:38+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":5}},{\"@type\":\"Review\",\"reviewBody\":\"Allens. This was one of the first scores that made me fall in love with not only film music but James Horner. This is an amazing and impressive score. What Horner has done is create an air of suspense and clusterphobic masterpiece. The Deluxe Edition even brings this further and is a true masterpiece of film music\",\"author\":{\"@type\":\"Person\",\"name\":\"hornerfreak\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-09-29T09:53:31+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":5}},{\"@type\":\"Review\",\"reviewBody\":\"A Great action score written by james horner. Considering the less time he got to write to this movie, horner wrote wonderful action score that has every action element.I love the tracks \\\" Bishop countdown\\\" Ripley's recue very much in this soundtrack.An album that is remembered as one of the greatest action scores in James Horner's career\",\"author\":{\"@type\":\"Person\",\"name\":\"rcshankar506\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-09-23T16:24:14+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":4}},{\"@type\":\"Review\",\"reviewBody\":\"The score for Aliens is a masterwork of last minute composing. It contains probably some of the most aggressive writing in Horner's whole career. The instruments sometimes sound tortured and it just adds to the awesomeness that is Aliens. I adore both the prolonged action sequences and even the atmospheric creeping-around cues. It's a special blend of horror and action with almost no time for softer moments. And even those give you a false sense of hope because darkness is just around the corner. Brilliant stuff!\",\"author\":{\"@type\":\"Person\",\"name\":\"J.P.\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-09-22T22:02:20+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":5}},{\"@type\":\"Review\",\"reviewBody\":\"Horner's first outing with director James Cameron was decidedly not smooth sailing: the director worked frantically on something resembling a workable cut of the movie while Horner was frustrated because nothing was coming his way, and the deadline was becoming more unforgiving with each passing day. Despite this, or maybe because of it, the score is an angry beast of enormous proportions, and although many orchestras have tried to copy the savage playing since, none has come close to matching the ferocious interpretation of the London Symphony Orchestra, Horner's preferred troupe at the time. There's Katachaturian's Gayaneh Adagio for the eerieness of space, there's a brass motif that looks ahead to the four-note danger motif and there's more action music than you can poke a stick at. One of the best, Combat Drop, was excised from the final cut because it risked overpowering the scene for which Horner wrote it. And that's saying something! A fantastic action score!\",\"author\":{\"@type\":\"Person\",\"name\":\"Kjell Neckebroeck\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-09-22T14:47:43+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":4}},{\"@type\":\"Review\",\"reviewBody\":\"A masterpiece!!!!!! Wonderful score. The Futile escape is one of the best piece of action music. One of the best scores of Horner\",\"author\":{\"@type\":\"Person\",\"name\":\"fenton77\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"publisher\":{\"@type\":\"Organization\",\"name\":\"JAMES HORNER\",\"sameAs\":\"https:\\\/\\\/jameshorner-filmmusic.com\"},\"datePublished\":\"2016-08-30T17:35:33+00:00\",\"reviewRating\":{\"@type\":\"Rating\",\"worstRating\":0,\"bestRating\":\"5\",\"ratingValue\":5}}]}<\/script>\n<\/div>\n<!--\/review-wrap--> [\/tab]\n<\/p>\n<p>\n\t\t[\/tabs]\n\t<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>[tabs tab1=TITRES INFORMATIONS AUDIO &#8220;ARTICLES \/ PAGES&#8221; AVIS] [tab] &nbsp; [\/tab] [tab] &nbsp; Enregistr&eacute; entre le 15 et 26 avril [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":15834,"parent":3758,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"album-page-template.php","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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