{"id":18269,"date":"2014-09-02T20:50:48","date_gmt":"2014-09-02T18:50:48","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/expanded-edition-of-gorky-park-2\/"},"modified":"2014-09-02T21:39:54","modified_gmt":"2014-09-02T19:39:54","slug":"gorky-park-en-version-complete","status":"publish","type":"post","link":"https:\/\/jameshorner-filmmusic.com\/fr\/gorky-park-en-version-complete\/","title":{"rendered":"GORKY PARK EN VERSION COMPL\u00c8TE"},"content":{"rendered":"<div style=\"text-align: justify;\">\n<div>\n\t\t<span style=\"font-size:18px;\">Apr&egrave;s Varese Sarabande en 1986 sur LP et CD puis Kritzerland Records en 2011 qui proposait deux pr&eacute;sentations de la partition, c&#39;est au tour d&#39;Intrada de lancer une &eacute;dition de <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=501\"><strong>Gorky Park<\/strong><\/a> (1983). Pourquoi ? Tout simplement car le perfectionnisme des artisans d&#39;Intrada, Roger Feigelson et Douglass Fake les a amen&eacute;s &agrave; rechercher les quelques morceaux in&eacute;dits et une qualit&eacute; sonore st&eacute;r&eacute;ophonique sur l&#39;int&eacute;gralit&eacute; du disque, ce qui n&#39;&eacute;tait pas le cas sur les pr&eacute;c&eacute;dentes &eacute;ditions.<\/span>\n\t<\/div>\n<div>\n\t\t&nbsp;\n\t<\/div>\n<div>\n\t\t<span style=\"font-size:18px;\"><a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/gorkypark_intrada3.jpg\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/gorkypark_intrada3.jpg\" style=\"width: 250px; height: 250px; margin-left: 10px; margin-right: 10px;\" \/><\/a><a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/gorkypark_intrada1.jpg\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/gorkypark_intrada1.jpg\" style=\"width: 318px; height: 250px;\" \/><\/a><\/span>\n\t<\/div>\n<\/div>\n<blockquote>\n<div style=\"text-align: justify;\">\n\t\t<span style=\"font-size:18px;\">To present entire score in true stereo for first time, courtesy MGM, Intrada went back to original session masters made by Dan Wallin at Record Plant Recording Studios on 2&quot; 24-track tape, then subsequently mixed by Wallin down to 1\/2&quot; multi-track stereo, then finally to brand new two-track stereo mixes for our CD. Working with these mixes, we discovered Horner had scored several cues with alternate versions, all of which are included as &quot;extras&quot; in this CD. Other new highlights include striking motif for &quot;Andreev&quot;, who recreates murder victim&#39;s faces, exciting &quot;Pasha And Golodkin Shot&quot;, fiercely rhythmic &quot;Setting Up The Deal&quot; plus several others. Extra treat! Working with multi-tracks allows us to present all cues containing Tchaikovsky overdubs in both familiar final versions plus in Horner score-only versions for interesting study in contrasts. Finally, Horner wrote cocktail piano source cue (&quot;Stockholm Salted Peanuts&quot;) for late sequence in picture and nostalgic, bittersweet piece appears as closing extra to wrap generous-length CD.<\/span>\n\t<\/div>\n<div style=\"text-align: right;\">\n\t\t<span style=\"font-size:18px;\">Source: <a href=\"http:\/\/store.intrada.com\/s.nl\/it.A\/id.8971\/.f?sc=13&amp;category=22848\">Intrada<\/a><\/span>\n\t<\/div>\n<\/blockquote>\n<div style=\"text-align: justify;\">\n<div>\n\t\t&nbsp;\n\t<\/div>\n<div>\n\t\t<span style=\"font-size:18px;\"><a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=501\"><strong>Gorky Park<\/strong><\/a> marque la premi&egrave;re collaboration du compositeur avec le r&eacute;alisateur <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/michael-apted\/\">Michael Apted<\/a>, qu&#39;il retrouvera ensuite au d&eacute;but des ann&eacute;es 90 avec <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=648\"><strong>Class Action<\/strong><\/a> et <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=657\"><strong>Thunderheart<\/strong><\/a>. Adaptation d&#39;un roman de Martin Cruz Smith, le film fut tourn&eacute; &agrave; Helsinki et Stockholm mais l&#39;intrigue se d&eacute;roule en Russie au cours d&#39;une enqu&ecirc;te polici&egrave;re. Trois cadavres d&eacute;figur&eacute;s gisent &agrave; Gorky Park, en plein c&oelig;ur de la ville. L&#39;inspecteur Renko m&egrave;ne l&#39;enqu&ecirc;te et ses investigations le conduiront vers les hautes sph&egrave;res du pouvoir sovi&eacute;tique.<br \/>\n\t\tAu d&eacute;but des ann&eacute;es 1980, James Horner n&#39;avait que quelques ann&eacute;es d&#39;anciennet&eacute; en tant que compositeur pour le cin&eacute;ma mais il &eacute;crivait d&eacute;j&agrave; des musiques solides et audacieuses. Il suffit d&#39;&eacute;couter les autres projets de cette prolifique ann&eacute;e 1983 pour s&#39;en convaincre. A l&#39;image de partitions comme <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=514\"><strong>Krull<\/strong><\/a>, <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=447\"><strong>Brainstorm<\/strong><\/a> et <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=509\"><strong>Testament<\/strong><\/a>, <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=501\"><strong>Gorky Park<\/strong><\/a> est unes des plus ferventes repr&eacute;sentantes du style d&#39;&eacute;criture du compositeur &agrave; cette &eacute;poque.<\/span>\n\t<\/div>\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:18px;\">Le Main Title accompagne les futures victimes en train de patiner joyeusement au son de deux pi&egrave;ces de Tcha&iuml;kovski (<em>Le lac des cygnes<\/em> et <em>L&#39;Ouverture 1812<\/em>) diffus&eacute;es par le syst&egrave;me audio du parc. James Horner cr&eacute;e le malaise en interrompant de fa&ccedil;on dissonante et mena&ccedil;ante ces deux classiques de la musique russe avec des accords de piano, des carillons, une harpe, les synth&eacute;tiseurs et des sons percussifs produits par les cordes (slapping).<\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:18px;\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/gorky_park_irina.jpg\" style=\"width: 400px; height: 216px; border-width: 2px; border-style: solid; margin: 5px 10px; float: right;\" \/><\/span><span style=\"font-size:18px;\">La partition m&ecirc;le habilement ambiances morbides <\/span><span style=\"font-size:18px;\">(<em>Faceless Bodies<\/em>, la partie centrale de <em>The Sable Shed<\/em>) qui seront reprises dans <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=540\"><strong>Aliens<\/strong><\/a> (1986) et filatures rythm&eacute;es par des trombones rugissants (<em>Following Kirwill<\/em>, <em>Following KGB<\/em>). Notez au passage deux ans avant que Sting se l&#39;approprie dans <em>Russians<\/em>, la variation de la m&eacute;lodie <em>Romance<\/em> (<strong>Lieutenant Kij&eacute;<\/strong>) de Sergue&iuml; Prokofiev dans la deuxi&egrave;me partie de <em>Following Kirwill<\/em>.<br \/>\n\tLe romantisme est repr&eacute;sent&eacute; par les morceaux <em>Irina&rsquo;s Theme<\/em>, <em>Arkady and Irina<\/em>, <em>Airport Farewell<\/em> qui d&eacute;veloppent le tr&egrave;s beau th&egrave;me d&#39;amour au son d&#39;une harpe et d&#39;un cymbalum. L&#39;association forme une texture sonore cristalline &agrave; l&#39;image du regard lumineux de la sublime Joanna Pacu\u0142a. Le cor apporte un peu de chaleur au th&egrave;me lors de la s&eacute;paration des deux personnages principaux dans<i> <\/i><em>Airport Farewell<\/em>.<\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n<div>\n\t\t<span style=\"font-size:18px;\">De fa&ccedil;on simpliste certains r&eacute;sumeront <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=501\"><strong>Gorky Park<\/strong><\/a> &agrave; un m&eacute;lange dissonant d&#39;&eacute;l&eacute;ments synth&eacute;tiques et percussifs, propre &agrave; un orientation musicale d&eacute;j&agrave; entendue l&#39;ann&eacute;e pr&eacute;c&eacute;dente dans 48 Hours et qui sera d&eacute;velopp&eacute;e plus tard dans <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/commando\/\"><strong>Commando<\/strong><\/a><strong> <\/strong>et <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=618\"><strong>Red Heat<\/strong><\/a>. Mais ils auront tort d&rsquo;omettre les autres facettes de cette partition qui sait rev&ecirc;tir des couleurs plus orchestrales et profondes.<br \/>\n\t\tMerci Intrada de nous donner une nouvelle opportunit&eacute; d&rsquo;appr&eacute;cier cette musique &agrave; sa juste valeur.<\/span>\n\t<\/div>\n<div>\n\t\t&nbsp;\n\t<\/div>\n<\/div>\n<div>\n\t<span style=\"font-size:18px;\">Les pistes de cette nouvelle et sans doute d&eacute;finitive &eacute;dition : <\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n<div class=\"medtext\">\n\t\t<span style=\"font-size:18px;\">01. Main Title (2:51)<br \/>\n\t\t02. No Faces (1:53)<br \/>\n\t\t03. Chase Through The Park (1:57)<br \/>\n\t\t04. Following Kirwill (3:00)<br \/>\n\t\t05. Andreev (1:26)<br \/>\n\t\t06. Pasha And Golodkin Shot (1:04)<br \/>\n\t\t07. Irina&rsquo;s Chase (3:43)<br \/>\n\t\t08. Arkady And Irina (Film Version) (2:12)<br \/>\n\t\t09. Irina&rsquo;s Theme (Album Version) (3:32)<br \/>\n\t\t10. The Sable Shed (Album Version) (6:40)<br \/>\n\t\t11. Following KGB (2:03)<br \/>\n\t\t12. Iamskoy&rsquo;s Death (0:43)<br \/>\n\t\t13. Setting Up The Deal (2:36)<br \/>\n\t\t14. Farewell At The Airport (Album Version) (4:19)<br \/>\n\t\t15. Releasing The Sables\/End Credits (Album Version) (4:23)<\/span>\n\t<\/div>\n<div class=\"medtext\">\n\t\t&nbsp;\n\t<\/div>\n<div class=\"medtext\">\n\t\t<span style=\"font-size:18px;\"><b>Les bonus<\/b><br \/>\n\t\t16. Main Title (Without Classical Inserts) (2:51)<br \/>\n\t\t17. A Leather Bag With The Gun (0:39)<br \/>\n\t\t18. First Flashback (0:44)<br \/>\n\t\t19. First Flashback (Without Classical Insert) (0:33)<br \/>\n\t\t20. Tailing KGB (0:43)<br \/>\n\t\t21. Second Flashback In Arkady&rsquo;s Office (1:22)<br \/>\n\t\t22. Second Flashback In Arkady&rsquo;s Office (Without Classical Insert) (1:07)<br \/>\n\t\t23. Arkady And Irina (Album Version) (2:28)<br \/>\n\t\t24. Regaining Consciousness (0:55)<br \/>\n\t\t25. Love Montage (1:21)<br \/>\n\t\t26. Irina&rsquo;s Theme (3:48)<br \/>\n\t\t27. The Sable Shed (Film Version) (6:40)<br \/>\n\t\t28. Irina&rsquo;s Confession (1:11)<br \/>\n\t\t29. Farewell At The Airport (Film Version) (2:59)<br \/>\n\t\t30. Releasing The Sables\/End Credits (Film Version) (4:25)<br \/>\n\t\t31. Stockholm Salted Peanuts) (Cocktail Piano) (4:00)<\/span>\n\t<\/div>\n<div class=\"medtext\" style=\"text-align: center;\">\n\t\t&nbsp;\n\t<\/div>\n<div class=\"medtext\" style=\"text-align: center;\">\n\t\t<strong><span style=\"font-size:18px;\"><a href=\"http:\/\/store.intrada.com\/s.nl\/it.A\/id.8971\/.f?sc=13&amp;category=22848\" target=\"_blank\">ACHETEZ GORKY PARK<\/a><\/span><\/strong>\n\t<\/div>\n<div class=\"medtext\" style=\"text-align: center;\">\n\t\t<a href=\"store.intrada.com\/s.nl\/it.A\/id.8971\/.f?sc=13&amp;category=22848\" target=\"_blank\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2013\/02\/IntLogoWide-e1382726839834.jpg\" \/><\/a>\n\t<\/div>\n<div class=\"medtext\" style=\"text-align: left;\">\n\t\tPhoto credit: &copy; Eagle Associates \/ MGM\n\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Apr&egrave;s Varese Sarabande en 1986 sur LP et CD puis Kritzerland Records en 2011 qui proposait deux pr&eacute;sentations de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18258,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[159,180,259],"class_list":["post-18269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","tag-gorky-park","tag-intrada","tag-michael-apted"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>GORKY PARK EN VERSION COMPL\u00c8TE<\/title>\n<meta name=\"description\" content=\"C&#039;est au tour d&#039;Intrada de lancer une \u00e9dition de Gorky Park.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jameshorner-filmmusic.com\/fr\/gorky-park-en-version-complete\/\" \/>\n<meta property=\"og:locale\" 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