{"id":18413,"date":"2014-09-29T22:36:41","date_gmt":"2014-09-29T20:36:41","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/?p=18413"},"modified":"2014-10-01T21:22:15","modified_gmt":"2014-10-01T19:22:15","slug":"nouvelles-automnales","status":"publish","type":"post","link":"https:\/\/jameshorner-filmmusic.com\/fr\/nouvelles-automnales\/","title":{"rendered":"NOUVELLES AUTOMNALES"},"content":{"rendered":"<div style=\"text-align: justify;\">\n<div style=\"margin-bottom: 0cm;\">\n\t\t<span style=\"font-size:18px;\">Dans cet article nous avons condens&eacute; quelques informations recueillies pour des projets pr&eacute;vus pour 2015. <\/span>\n\t<\/div>\n<div style=\"margin-bottom: 0cm;\">\n\t\t<span style=\"font-size:18px;\">Pour m&eacute;moire, l&#39;&eacute;v&eacute;nement majeur le plus proche de nous reste les premi&egrave;res mondiales les 12 et 13 novembre &agrave; Liverpool de <strong>Pas de Deux<\/strong>, le double concerto pour violon et violoncelle.<\/span>\n\t<\/div>\n<div>\n\t\t&nbsp;\n\t<\/div>\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:18px;\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/images\/design\/bannernew_concerto1.jpg\" style=\"width: 1890px; height: 319px; border-width: 2px; border-style: solid;\" \/><\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:18px;\">[divider]Peu d&#8217;informations pour Aviation[\/divider]<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n<p style=\"margin-bottom: 0cm; text-align: justify;\">\n\t\t<span style=\"font-size:18px;\">Depuis la d&eacute;couverte fin juillet de la participation de James Horner au documentaire <strong>Aviation&nbsp;: The Invisible Highway<\/strong> nous avons obtenu peu d&#39;information.<br \/>\n\t\tL&#39;excellent compositeur Peter Boyer, impliqu&eacute; dans le projet au niveau des orchestrations, a partag&eacute; son enthousiasme sur sa page facebook&nbsp;:<\/span>\n\t<\/p>\n<p>\n\t\t<img decoding=\"async\" alt=\"Just finished orchestrating some terrific music for a James Horner score, for a documentary IMAX film called Aviation: The Invisible Highway. Forthcoming in early 2015, narrated by Harrison Ford, this looks like it will be exciting. Here's a link to the trailer: http:\/\/www.aviationtheinvisiblehighway.com\/    Grateful for the opportunity to be involved with another James Horner project.\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/peter-boyer.jpg\" \/>\n\t<\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p style=\"margin-bottom: 0cm\">\n\t\t<span style=\"font-size:18px;\">Puis le compositeur et arrangeur Steve Sidwell, qui a notamment travaill&eacute; avec Robbie Williams et George Michael, a partag&eacute; une photo prise le 20 juillet 2014 au <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/air-studios\/\">Air Studio 1<\/a>. Nous pouvons y apercevoir <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/simon-franglen\/\">Simon Franglen<\/a> et <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/simon-rhodes\/\">Simon Rhodes<\/a>. L&#39;enregistrement concernait un big band avec trois percussionnistes.<\/span><br \/>\n\t\t&nbsp;\n\t<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n\t<img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/steve-sidwell-air-studios.jpg\" style=\"width: 960px; height: 639px; border-width: 2px; border-style: solid;\" \/>\n<\/div>\n<p>\n\t[divider]Le loup sort de sa tani&egrave;re[\/divider]\n<\/p>\n<div>\n<p style=\"margin-bottom: 0cm; text-align: justify;\">\n\t\t<span style=\"font-size:18px;\">Du 14 au 17 septembre, James Horner a enregistr&eacute; la musique du prochain film de Jean-Jacques Annaud&nbsp;: <strong>Wolf Totem<\/strong>.<br \/>\n\t\tDurant six sessions aux <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/air-studios\/\">Air Studios<\/a> de Londres, le Maestro a dirig&eacute; un orchestre symphonique en pr&eacute;sence de <a href=\"http:\/\/Tony Hinnigan\">Tony Hinnigan<\/a> et sa vaste gamme d&#39;instruments ethniques.<\/span><br \/>\n\t\t&nbsp;\n\t<\/p>\n<div style=\"text-align: center;\">\n\t\t<span style=\"font-size:18px;\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/wolftotem.jpg\" style=\"width: 550px; height: 393px; border-width: 2px; border-style: solid;\" \/><\/span>\n\t<\/div>\n<p style=\"margin-bottom: 0cm; text-align: justify;\">\n\t\t<span style=\"font-size:18px;\">Steve Mair, un des contrebassistes qui participait &agrave; ces sessions d&#39;enregistrement et qui a travaill&eacute; sur Romeo &amp; Juliet, <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=4608\"><strong>Black Gold<\/strong><\/a> et <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=6830\"><strong>For Greater Glory<\/strong><\/a> nous a confi&eacute;&nbsp;:<\/span>\n\t<\/p>\n<blockquote>\n<p style=\"margin-bottom: 0cm; text-align: justify;\">\n\t\t\t<span style=\"font-size:18px;\">&laquo;&nbsp;Lorsque nous &eacute;tions aux studios Air, nous n&#39;avons pas pu voir le film sur grand &eacute;cran comme d&rsquo;habitude au studio 1 d&rsquo;<a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations-english\/abbey-road-studios\/\">Abbey Road<\/a>. Quel dommage pour nous, les musiciens, car il y a quelque chose de magique dans le fait d&rsquo;enregistrer avec les images surtout quand James Horner est &agrave; la barre. N&eacute;anmoins, le son est tr&egrave;s bon &agrave; Air et l&#39;orchestre rendait magnifiquement surtout dans les grands morceaux &eacute;piques qui, j&#39;en suis s&ucirc;r, seront incroyables avec les images dans le film. C&#39;est symphonique avec un vaste ressenti &eacute;pique.<\/span><br \/>\n\t\t\t<span style=\"font-size:18px;\">Des morceaux qui sont formidables &agrave; jouer s&rsquo;av&egrave;rent g&eacute;n&eacute;ralement formidables &agrave; &eacute;couter, parce que les musiciens peuvent y mettre tellement d&rsquo;eux-m&ecirc;mes. James Horner a &eacute;t&eacute; form&eacute; &agrave; l&rsquo;ancienne &eacute;cole et il n&#39;adh&egrave;re pas strictement au processus du click-track, il nous guide simplement le long du morceau &agrave; l&#39;aide d&#39;un syst&egrave;me de flashs lumineux et de bandeaux &agrave; l&#39;&eacute;cran pour marquer les moments-cl&eacute;s du morceau. Cela donne une certaine fluidit&eacute; &agrave; l&rsquo;interpr&eacute;tation et une bonne vibration pour l&#39;auditeur qui peut s&rsquo;imaginer que la musique soit vivante.&nbsp;&raquo;<\/span>\n\t\t<\/p>\n<\/blockquote>\n<\/div>\n<div>\n\t<span style=\"font-size:18px;\">[divider]Pas Fathers and Daughters pour James Horner[\/divider]<\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n<p style=\"margin-bottom: 0cm\">\n\t\t<span style=\"font-size:18px;\">Entre finir la composition du Double-concerto <b>Pas de Deux<\/b>, travailler sur la musique de <b>Aviation&nbsp;: The invisible Highway<\/b> et celle de <b>Wolf Totem<\/b>, nous imaginions difficilement James Horner trouver le temps <\/span><span style=\"font-size:18px;\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2014\/09\/Fathers-and-Daughters_1.jpg\" style=\"width: 250px; height: 167px; border-width: 2px; border-style: solid; margin: 5px 10px; float: left;\" \/><\/span><span style=\"font-size:18px;\">pour participer &agrave; <b>Fathers and Daughters<\/b> dont la fin de la post-production est pr&eacute;vue pour mi-octobre.<br \/>\n\t\tIl y a quelques jours nous avions remarqu&eacute; le remplacement de James Horner par Paolo Buonvino sur la page IMDb de <strong>Fathers and Daughters<\/strong>. Le compositeur italien nous a confirm&eacute; qu&#39;il &eacute;tait bien<b> <\/b>engag&eacute; sur le film de Gabriele Muccino pr&eacute;vu pour d&eacute;but 2015.<br \/>\n\t\tIl n&#39;y aura donc pas de<strong> Fathers and Daughters<\/strong> pour James Horner.<\/span>\n\t<\/p>\n<\/div>\n<div>\n\t&nbsp;\n<\/div>\n<div>\n<hr \/>\n<\/div>\n<div>\n\t<span style=\"font-size:12px;\">Credits des images : <\/span>\n<\/div>\n<div>\n\tAviation: The Invisible Highway : &copy; Steve Sidwell Ltd\n<\/div>\n<div>\n\t<span style=\"font-size:12px;\">Wolf Totem : &copy; China Film Group \/ Reperage<\/span>\n<\/div>\n<div>\n\t<span style=\"font-size:12px;\">Fathers and Daughters : &copy; Andrea Leone Films \/ Busted Shark Productions \/ Fear of God Films \/ Voltage Pictures<\/span>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dans cet article nous avons condens&eacute; quelques informations recueillies pour des projets pr&eacute;vus pour 2015. Pour m&eacute;moire, l&#39;&eacute;v&eacute;nement majeur le [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18418,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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