{"id":22445,"date":"2015-11-27T23:37:04","date_gmt":"2015-11-27T21:37:04","guid":{"rendered":"http:\/\/jameshorner-filmmusic.com\/the-pagemaster-and-braveheart-two-expanded-and-remastered-releases-2\/"},"modified":"2015-11-28T01:15:12","modified_gmt":"2015-11-27T23:15:12","slug":"the-pagemaster-et-braveheart-nouvelles-editions","status":"publish","type":"post","link":"https:\/\/jameshorner-filmmusic.com\/fr\/the-pagemaster-et-braveheart-nouvelles-editions\/","title":{"rendered":"THE PAGEMASTER et BRAVEHEART \u2013 NOUVELLES \u00c9DITIONS"},"content":{"rendered":"<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">2015 touche &agrave; sa fin, laissant le monde sans un des ses plus merveilleux talent musical. Quelques jours avant la disparition de James Horner le 22 juin 2015, La-La Land Records avait publi&eacute; une version compl&egrave;te et remasteuris&eacute; d&#39;une musique de 1993 : <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=730\"><strong>Searching For Bobby Fischer<\/strong><\/a>. Dans le m&ecirc;me temps &eacute;t&eacute; sorti le concerto <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/pas-de-deux\/\"><strong>Pas de Deux<\/strong><\/a>, tandis que le d&eacute;but de l&#39;ann&eacute;e avait &eacute;t&eacute; marqu&eacute; par l&#39;&eacute;pique partition pour <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/discographie\/wolf-totem\/\"><strong>Wolf Totem<\/strong><\/a>.<\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2015\/11\/james_horner_2015_albums.jpg\" \/>\n<\/div>\n<div style=\"text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">Puis deux albums posthumes ont suivi : <a href=\"http:\/\/jameshorner-filmmusic.com\/discography\/southpaw\/\"><strong>Southpaw<\/strong><\/a> (La rage au ventre) et derni&egrave;rement<strong> <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=22407\">The 33<\/a> <\/strong>sorti &agrave; la mi-novembre. D&eacute;cembre va nous offrir deux fantastiques cadeaux : des nouvelles &eacute;ditions remasteris&eacute;es et &eacute;tendues de deux classiques. L&#39;h&eacute;ritage de James Horner demeure. Nous serons toujours enrichis pas l&#39;exploration continue de son oeuvre.&nbsp; <\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\"><a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=742\"><strong>The Pagemaster<\/strong><\/a>, film m&eacute;lant prise de vues r&eacute;elles et animation, met en vedette Macaulay Culkin, d&eacute;couvert dans <strong>Home Alone<\/strong>, dont la musique sign&eacute;e John Williams a &eacute;galement le droit en cette fin d&#39;ann&eacute;e &agrave; une nouvelle &eacute;dition. Le film fut un &eacute;chec cuisant &agrave; sa sortie en 1994. Toutefois James Horner a d&eacute;livr&eacute; une partition aux atmosph&egrave;res tr&egrave;s riches, dessinant des id&eacute;es musicales vari&eacute;es pour illustrer les personnages tir&eacute;s de la litt&eacute;rature. Le r&eacute;sultat est une grande musique d&#39;aventure et d&#39;action interpr&eacute;t&eacute; avec &eacute;l&eacute;gance par l&#39;<a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/london-symphony-orchestra\/\">Orchestre Symphonique de Londres<\/a>. <\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">Longtemps &eacute;puis&eacute;, l&#39;album original de 63 minutes pr&eacute;sentait deux chansons : <em>Dream Away<\/em> et une seconde inspir&eacute;e du th&egrave;me du film <em>Whatever You Imagine<\/em>, co-&eacute;crit par Horner avec <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/barry-mann\/\">Barry Mann<\/a> et <a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/cynthia-weil\/\">Cynthia Weil<\/a>. Cette nouvelle &eacute;dition reprend l&#39;int&eacute;gralit&eacute; de l&#39;album d&#39;origine en l&#39;&eacute;tendant de quelques minutes avec des morceaux in&eacute;dits comme : <em>Dad Builds Treehouse<\/em>, <em>Library Card<\/em>, <em>Baskerville Hound <\/em>et des versions alternatives de <em>Main Title <\/em>et <em>Loneliness<\/em>.<\/span>\n<\/div>\n<div>\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2015\/11\/pagemaster-LLL-2015.jpg\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2015\/11\/pagemaster-LLL-2015.jpg\" style=\"height: 400px; width: 400px; box-shadow: 2px 2px 5px rgba(0, 0, 0, 0.5);\" \/><\/a>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Listes des morceaux : <\/span><br \/>\n\t<span style=\"font-size:16px;\">1 Main Title 2:30&nbsp;<\/span>\n<\/div>\n<div>\n<div style=\"text-align: center;\">\n\t\t<span style=\"font-size:16px;\">2 Dad Builds Treehouse* :23&nbsp;<br \/>\n\t\t3 A Stormy Ride To The Library 2:51<br \/>\n\t\t4 Library Card* 1:17<br \/>\n\t\t5 The Library&hellip; The Pagemaster&hellip; 4:42<br \/>\n\t\t6 Meeting Adventure And Fantasy 5:11<br \/>\n\t\t7 Baskerville Hound* :21<br \/>\n\t\t8 Horror 3:20<br \/>\n\t\t9 Dr. Jekyll And Mr. Hyde 5:07<br \/>\n\t\t10 A Narrow Escape 2:05<br \/>\n\t\t11 Towards The Open Sea&hellip; 7:03<br \/>\n\t\t12 &ldquo;Pirates!&rdquo; 4:06<br \/>\n\t\t13 Loneliness 3:11<br \/>\n\t\t14 Fire Breathing Dragon 3:10<br \/>\n\t\t15 Swallowed Alive! \/ The Wonder In Books 7:55<br \/>\n\t\t16 New Courage \/ The Magic Of Imagination 4:11<br \/>\n\t\t17 Whatever You Imagine 3:29<br \/>\n\t\tInterpr&eacute;t&eacute; par Wendy Moten<br \/>\n\t\tProduit par Keith Thomas pour Yellow Elephant Music, Inc.<br \/>\n\t\tProducteur &eacute;x&eacute;cutif : Jay Landers<br \/>\n\t\t18 Dream Away 4:42<br \/>\n\t\tInterpr&eacute;t&eacute; par Babyface &amp; Lisa Stansfield<br \/>\n\t\tProduit et arrang&eacute; par David Foster pour Chartmaker, Inc.<\/span><span style=\"font-size:16px;\"> <\/span>\n\t<\/div>\n<p style=\"text-align: center;\">\n\t\t<span style=\"font-size:16px;\">Musiques additionnelles :<br \/>\n\t\t19 Main Title (Alternate Ending)* 2:18<br \/>\n\t\t20 Loneliness (Alternate)* 2:20<\/span>\n\t<\/p>\n<p style=\"text-align: center;\">\n\t\t<span style=\"font-size:16px;\">Total CD Time: 70:13<br \/>\n\t\t* contenu in&eacute;dit<\/span>\n\t<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\"><a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=742\"><strong>The Pagemaster<\/strong><\/a> est limit&eacute; &agrave; 2000 exemplaires.<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">*****<\/span>\n<\/div>\n<div>\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">Dans une interview datant de 2001 pour <a href=\"http:\/\/www.runmovies.eu\/?p=53\">Cinemascore<\/a>, r&eacute;alis&eacute;e &agrave; l&#39;occasion de la sortie de <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=884\"><strong>Enemy At The Gates<\/strong><\/a>, James Horner a d&eacute;clar&eacute;:<\/span>\n<\/div>\n<blockquote>\n<div style=\"text-align: justify;\">\n\t\t<span style=\"font-size:16px;\">&ldquo;De tous les musiques que j&#39;ai &eacute;crites, une dont je suis le plus fier c&#39;est <strong>Braveheart<\/strong>&rdquo;<\/span>\n\t<\/div>\n<\/blockquote>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">Cette remarque est facile &agrave; comprendre tellement la musique &eacute;crite pour le drame historique et &eacute;pique de <a href=\"http:\/\/jameshorner-filmmusic.com\/collaborations-english\/mel-gibson\/\">Mel Gibson<\/a> est reconne pour sa richesse, son impact &eacute;motionnel, ses influences celtiques et l&#39;int&eacute;rpr&eacute;tation brillante de l&#39;<a href=\"https:\/\/jameshorner-filmmusic.com\/fr\/collaborations\/london-symphony-orchestra\/\">Orchestre Symphonique de Londres<\/a><\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">2015 marque le 20&egrave;me anniversaire de&nbsp;<a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=746\"><strong>Braveheart<\/strong><\/a>, musique nomin&eacute;e aux oscars avec <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=750\"><strong>Apollo 13<\/strong><\/a>. Les votes s&#39;&eacute;tant r&eacute;partis sur chacune d&#39;elles, elles n&#39;ont pas pu remporter la statuette. Ce sont deux partitions &agrave; la grande puissance &eacute;motionnelle qui servent merveilleusement leurs films respectifs. <\/span><br \/>\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2015\/11\/james_horner_1995_albums.jpg\" style=\"height: 134px; width: 800px;\" \/><br \/>\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\"><a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=750\"><strong>Apollo 13<\/strong><\/a> et <strong><a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=746\">Braveheart<\/a> <\/strong>sont deux bandes-originales d&#39;une ann&eacute;e 1995 incroyable car elle en compte six<strong> <\/strong>: en effet se rajoutent<strong> <\/strong>les com&eacute;dies familiales <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=748\"><strong>Casper<\/strong><\/a>, <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=754\"><strong>Jumanji<\/strong><\/a>, la derni&egrave;re musique de James Horner pour un film d&#39;animation <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=752\"><strong>Balto<\/strong><\/a> et le thriller &eacute;rotique <a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=754\"><strong>Jade<\/strong><\/a> (sorti chez La-La Land en 2010 et maintenant &eacute;puis&eacute;).<\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\"><a href=\"http:\/\/jameshorner-filmmusic.com\/com\/?page_id=746\"><strong>Braveheart<\/strong><\/a> a d&eacute;ja profit&eacute; d&#39;une &eacute;dition en 1995 et d&#39;un second album en 1997, mais &agrave; pr&eacute;sent nous pouvons profit&eacute; de la partition compl&egrave;te avec plusieurs versions alternatives. L&#39;ensemble a &eacute;t&eacute; enti&eacute;rement remasteris&eacute; et tient sur deux disques.&nbsp; <\/span>\n<\/div>\n<div style=\"text-align: justify;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: justify;\">\n\t<span style=\"font-size:16px;\">Les manques des &eacute;ditions pr&eacute;c&eacute;dentes sont ainsi combl&eacute;s : la version film du superbe <em>For The Love Of A Princess<\/em> apparait ici sous le titre <em>Romantic Alliance<\/em>. Les autres morceaux in&eacute;dits sont <em>Hanging of The Peacemakers<\/em>, <em>Wallace On The Move<\/em>, <em>The Princess Was a Pawn<\/em>. S&#39;ajoutent des versions &eacute;tendues de <em>Revenge<\/em>, <em>Making Plans \/ Gathering The Clans<\/em>, et <em>The Battle Of Stirling<\/em>.<\/span>\n<\/div>\n<div>\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<a class=\"lightbox\" href=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2015\/11\/braveheart_LLL_2015.jpg\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/wp-content\/uploads\/2015\/11\/braveheart_LLL_2015.jpg\" style=\"height: 400px; width: 400px; box-shadow: 2px 2px 5px rgba(0, 0, 0, 0.5);\" \/><\/a>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Liste des morceaux :<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\"><strong>Disque 1<\/strong> (Total : 67:42)<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">1 Logo \/ Main Title 3:38&nbsp;<br \/>\n\t2 Hanging of the Peacemakers* 1:21&nbsp;<br \/>\n\t3 William&rsquo;s Father Leaves to Fight* :59<br \/>\n\t4 A Father&rsquo;s Final Return* 2:56<br \/>\n\t5 A Gift of a Thistle 1:39<br \/>\n\t6 Outlawed Tunes on Outlawed Pipes 2:06<br \/>\n\t7 Royal Wedding* \/ Domino Fidelium 2:10<br \/>\n\t8 Grown Wallace Arrives* 1:19<br \/>\n\t9 Prima Noctes 1:58<br \/>\n\t10 Wallace Courts Murron 4:29<br \/>\n\t11 The Secret Wedding 6:36<br \/>\n\t12 Attack on Murron 3:02<br \/>\n\t13 Revenge (version &eacute;tendue)+ 6:46<br \/>\n\t14 Murron&rsquo;s Burial 2:17<br \/>\n\t15 Wallace on the Move* \/ Run to the Stronghold* 3:26<br \/>\n\t16 Making Plans \/ Gathering the Clans (version &eacute;tendue)+ 2:13<br \/>\n\t17 Sons of Scotland 6:22<br \/>\n\t18 The Battle of Stirling (version &eacute;tendue)+ 6:18<br \/>\n\t19 Wallace Moves on York* 1:25<br \/>\n\t20 Wallace&rsquo;s Dream* 2:13<br \/>\n\t21 Vision of Murron 1:55<br \/>\n\t22 The Princess Was a Pawn* \/ Wallace Moves Again* 2:38<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t<br \/>\n\t<span style=\"font-size:16px;\"><strong>Disque 2<\/strong> (Total : 61:27)<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">1 Falkirk 4:08&nbsp;<br \/>\n\t2 Betrayal and Desolation 7:51&nbsp;<br \/>\n\t3 Mornay&rsquo;s Dream 1:19<br \/>\n\t4 The Legend Spreads* 1:13<br \/>\n\t5 The Fire Trap* 1:16<br \/>\n\t6 Romantic Alliance* 2:25<br \/>\n\t7 Wallace Is Caught* 1:43<br \/>\n\t8 The Princess Pleads for Wallace&rsquo;s Life (version du film)* 3:39<br \/>\n\t9 Wallace to the Scaffold* 1:22<br \/>\n\t10 &ldquo;Freedom&rdquo; \/ The Execution \/ Bannockburn 7:23<br \/>\n\t11 End Credits 7:15<br \/>\n\t12 For the Love of a Princess 4:11<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Source Music :<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">13 Scottish Wedding Music 1:25<br \/>\n\t14 Drum Roll* \/ Sleepy Maggy* 1:13<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Musiques additionnelles :<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">15 Main Title (version album) 2:55<br \/>\n\t16 Sons of Scotland (variante)+ 6:21<br \/>\n\t17 The Battle of Stirling (ouverture diff&eacute;rente)* 2:06<br \/>\n\t18 The Princess Pleads for Wallace&rsquo;s Life (version album) 3:43<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Dur&eacute;e total de l&#39;album : 129:09<br \/>\n\t* Contenu in&eacute;dit<br \/>\n\t+ Contient du contenu in&eacute;dit<\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Braveheart est limit&eacute; &agrave; 3000 exemplaires. Il est d&eacute;di&eacute; &agrave; la m&eacute;moire James Horner.<\/span><br \/>\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<span style=\"font-size:16px;\">Les deux albums seront en vente &agrave; partir du 1er d&eacute;cembre midi (PST &#8211; Heure du pacifique) <\/span>\n<\/div>\n<div style=\"text-align: center;\">\n\t&nbsp;\n<\/div>\n<div style=\"text-align: center;\">\n\t<a href=\"http:\/\/lalalandrecords.com\/\" target=\"_blank\"><img decoding=\"async\" alt=\"\" src=\"http:\/\/jameshorner-filmmusic.com\/images\/actu\/logo\/LALALANDrecLogoNew.jpg\" \/><\/a>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>2015 touche &agrave; sa fin, laissant le monde sans un des ses plus merveilleux talent musical. Quelques jours avant la [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":22421,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[39,57,94,244,256,278],"class_list":["post-22445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","tag-barry-mann","tag-braveheart","tag-cynthia-weil","tag-london-symphony-orchestra","tag-mel-gibson","tag-pagemaster"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>THE PAGEMASTER et BRAVEHEART \u2013 NOUVELLES \u00c9DITIONS<\/title>\n<meta name=\"description\" content=\"Lalaland Records publie de nouvelles \u00e9ditions de Braveheart et The Pagemaster\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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