Astonishment and questioning. Such were our both reactions nine months ago, while we were waiting for Black Gold, when the composer’s long-time editor Jim Henrikson announced the possible involvement of James Horner to the new theatrical adaptation of Spider-Man.Astonishment, first, as this is clearly not a universe into which the composer is used to venturing. If we pay close attention to his filmography and if we exclude The Mask Of Zorro, out of more than hundred films he did only one film based upon a comics character, i.e. an avenger who distinguish him/herself in his/her extraordinary abilities or in
Amazon.com WidgetsAt James Horner Film Music, we appreciate vocal talents. After Sally Stevens and Dhafer Youssef, this is now Lisbeth Scott, who talks about her career and her encounters with James Horner. - Over the past few years your name has been associated with famous film scores such as Munich, Transformers, Shrek... How did you come to film music?It was quite by accident actually. I grew up with a famous ballerina for a sister and spent many hours watching her rehearse and perform in the back of darkened theaters. I also studied classical piano my whole life (since I was 6).
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