Image Image Image Image Image Image Image Image Image Image

JAMES HORNER FILM MUSIC | October 25, 2016 |

Scroll to top



(2 reviews)

  • 1.  	Main Title (02:14) 2.  	Lillian's Heart Attack (03:18) 3.  	Gaining Access To The Tapes (02:48) 4.  	Michael's Gift To Karen (06:53) 5.  	First Playback (03:20) 6.  	Race For Time (04:52) 7.  	Final Playback / End Titles (06:50)

  • Film version:
    Orchestra: Los Angeles Philharmonic Orchestra

    Orchestrations: Greig McRitchie
    Choir: California Boys Choir and The Duke University Choir
    Sound Engineer: Shawn Murphy
    Studio: MGM Scoring Stage, Sony Pictures Studios, Culver City, CA

    Album version:
    Recording dates: 13-14 september 1983

    Choir: The Ambrosian Singers, Boys Choir of New College, Oxford
    Sound Engineer: Eric Tomlinson
    Studio: Anvil Studios, Abbey Road, Londres

  • Special Recent Posts

    ERIC TOMLINSON 1931-2015

    James Horner worked with four sound engineers during his career: Shawn Murphy (fifty projects), Simon Rhodes (forty projects), Dan Wallin (a dozen projects) and finally Eric Tomlinson. As Mr Tomlinson has just died at the age of 84, we wanted to honor him through this article. He was the sound engineer for the films The Dresser (1983), Uncommon Valor (1983), the album version of Brainstorm (1983), Volunteers (1985), Aliens (1986), and An American Tail (1986). The sad news was announced by Chris Malone on the forum of website Film Score Monthly: « Tomlinson commenced his film music career in the late 1950s, initially[...]


    "If you build it he will come ..." Just like Ray Kinsella, the character played by Kevin Costner in Field of Dreams, a voice (or rather my intuition) led me to create the Association and the James Horner Film Music website. Every minute, every hour spent working for this project was partly guided by an objective I held close in my heart: publish a new, previously unreleased conversation with James Horner. I gave myself five years to get there. Next January we will celebrate four years of JHFM... Unlike the composer, who never listens again to his old music and who never[...]


    Having published interviews given in the early 80's to the CinemaScore magazine (see our article), we continue our exploration of the archives of the past with the publication of the two seminars which James Horner participated in, December 1991 in Australia.   That year, the Australian Film Television and Radio School (AFTRS) was celebrating film music with a series of courses and activities to recognize and celebrate the contribution that music makes to the screen experience. James Horner had made the trip to take part in a variety of national activities intended to stimulate an atmosphere of appreciation for the work of[...]


    The early 1980s was a watershed time in film music. After the success of Star Wars, studios began producing a flood of science fiction/fantasy & action/adventure films, calling for magical, exciting, and densely orchestrated music. A whole new crop of young composers were stepping up to the challenge.   It was an exciting time to be a fan of film music; but it was also a lonely time. The robust, inter-connected community of soundtrack lovers did not exist. Film Score Monthly and did not exist. There was no group known as Fans of Film Music. No composer pages, no FilmTracks soundtrack[...]


      ACADEMY AWARD (1997) Best Original Score Titanic   ACADEMY AWARD (1997) Best Original Song My Heart Will Go On from Titanic   AMERICAN MUSIC AWARD (1998) Favorite Soundtrack Album Titanic   GOLDEN GLOBE AWARD (1997) Best Original Score Titanic   GOLDEN GLOBE AWARD (1997) Best Original Song My Heart Will Go On from Titanic   GOLDEN SATELLITE AWARD (2002) Best Original Song All Love Can Be from A Beautiful Mind   GRAMMY AWARD (1998) Song of the Year My Heart Will Go On from Titanic   GRAMMY AWARD (1998) Record of the Year My Heart Will Go On from Titanic   GRAMMY AWARD (1998) Best Song Written for a Motion Picture or Television My Heart Will Go On from Titanic   GRAMMY AWARD (1990) Best Instrumental Composition[...]


      Ambrosian Singers is one of the most famous choral groups in London. They are particularly appreciated for the extraordinary variety of their repertoire. They were founded just after World War II by Denis Stevens (1922-2004), an English musicologist, and John McCarthy (1919-2009), a professional tenor. The group has participated in many soundtracks such as Brainstorm, Krull, Chariots of Fire, and The Secret of NIMH and in many Italian films (with Ennio Morricone and Nino Rota). Source: Wikipedia   [...]


    RichTea [CC-BY-SA-2.0], via Wikimedia Commons The London Symhony Orchestra is one of the main symphony orchestras in England and was founded in 1904. Enormous movie scores were recorded with this orchestra like Harry Potter, Star Wars and Superman.   Source : wikipedia   [...]


    © Across four decades, from 1959, Eric Tomlinson collaborated with many high profile composers including: John Barry; John Williams; Jerry Goldsmith and James Horner. He was admired for his ability to quickly obtain a balance and skillfully deliver a live mix during sessions. His work included Aliens, Brainstorm and Uncommon Valor.  Source:     [...]


    Par Jorge Ferrer from Zaragoza, España (Douglas Trumbull) [CC-BY-SA-2.0], via Wikimedia Commons Douglas Huntley Trumbull (born April 8, 1942) is an American film director, special effects supervisor, and inventor. He worked on the development of psychedelic animation for the film 2001: A Space Odyssey by Stanley Kubrick. In 1971, he directed his first film Silent Running which used the visual and mechanical techniques developed for the film 2001: A Space Odyssey. He then contributed these effects to the films Close Encounters of the Third Kind (1977) and Star Trek: The Movie (1979). In 1981, he was the visual effects supervisor for Ridley Scott's film Blade[...]

  • 5 Users (2 reviews)
    What people say... Login to post a review
    Sort by:

    Be the first to leave a review.

    User Avatar
    {{{review.rating_comment | nl2br}}}

    Show more
    {{ pageNumber+1 }}

This post is also available in: French, Spanish