Donald Virgil "Don" Bluth (born September 13, 1937) is an American animator, film director, producer, writer, production designer and video game designer.
From 1955 to 1979 he worked with Disney Studios where he participated in the development of Sleeping Beauty, Robin Hood, The Rescuers and Pete's Dragon.
He then teamed up with two other Disney animators, Gary Goldman and John Pomeroy, to create Don Bluth Productions. In 1982, their debut The Secret of NIMH was a mixed success and this led to Don Bluth Productions being on the verge of bankruptcy.
In 1983, the trio founded Bluth Group and began creating and selling video games such as the famous Dragon's Lair or Space Ace, but with the video game industry being in a crisis, this did not allow them to continue in this direction.
With the help of Morris Sullivan, an investor who believed in the future of traditional animation, he founded the Sullivan Bluth Studios with Steven Spielberg and negotiated the start of construction of a new feature film, An American Tail (1986) which was a great success, as were the following productions: The Land Before Time (1988), All Dogs Go to Heaven (1989), Rock-a-Doodle (1992) and Thumbelina (1994).
With their expanded 74-minute edition of The Land Before Time (1988), the diligent folks at Intrada bring back into the spotlights one of the absolute masterpieces of James Horner’s long and distinguished career. The music sounds as punchy and clear as ever, showcasing the flawless playing by the London Symphony Orchestra. The sound quality of the new edition is really incredible: we really feel like we are sitting next to the orchestra, privy to the slightest sound and little gasps of breath coming from the musicians. It feels like discovering the music all over again.This was necessary for this sumptuous music that
After the artistic and commercial success of his first animation project, 1982’s The Secret of N.I.M.H., Disney alumnus Don Bluth (born 1937) and his newly established studio went from a separate entity that produced animation to part of a major marketing machine. This was due to input from and dealings with the business sides of Universal Studios and Steven Spielberg’s Amblin. In fact, Spielberg loved N.I.M.H., lavishing praise on Bluth for sticking to a drawing style that had been all but abandoned since the sixties. In 1984, he asked Bluth to develop An American Tail and before long, Spielberg started
Intrada is unstoppable! Living in the Age of Airplanes (April), The Boy in Striped Pajamas (May), Batteries Not Included (September), Balto (October), Apollo 13 (January), and now An American Tail! In 10 months, Roger Feigelson and Doug Fake’s incredible label has released six James Horner albums! Six in 10 months! A big thank you to them! 1986 marked James Horner's first contribution to an animated film for young audiences. It was also the first time that Horner set to music (and songs!) a film with the mention "Steven Spielberg presents" (many others would follow), the director of E.T. was indeed co-producer
Singer James Ingram died on January 29, 2018 from brain cancer. He was 66 years old. Along with Linda Ronstadt, Ingram performed the song Somewhere Out There for An American Tail (1986), the music by James Horner, Barry Mann and Cynthia Weil, lyrics by Barry Mann and Cynthia Weil. The duet version of the song, heard in the end credits of Don Bluth's film, was nominated for the Golden Globes and Oscars and received two Grammy Awards. The single sold more than a million copies in the United States alone. Ingram, like Ronstadt, was recruited by Steven Spielberg, producer of
A TALENTED DUO An American Tail and The Land Before Time belong to the scores which marked James Horner's career. The authors of these two animated films (Don Bluth, the director and Gary Goldman, the producer) together discuss the creation process of these two incredible scores. Photo credit: Hubert Rioux. Courtesy of ztele.com On The Secret Of NIMH (1982), you had collaborated with Jerry Goldsmith. Why did you choose James Horner to score your following films, An American Tail and The Land Before Time? Gary Goldman: Back in 1982, Jerry and I had become good friends over the fifteen-week schedule while he