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JAMES HORNER FILM MUSIC | July 23, 2017 |

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GREIG McRITCHIE

Greig McRitchie (1914-1997) is best known for being an orchestrator in many soundtracks such as the famous Conan, Krull, Aliens, An American Tail, The Land Before Time, Dances With Wolves, Starship Troopers… He was also a composer for films and television, especially in the 60s and 70s, where he worked on projects as diverse as Charlie's Angels, Dynasty, Starsky & Hutch, and The Love Boat.

Source : Variety

 
CASPER
AN AMERICAN TAIL : FIEVEL GOES WEST
IN COUNTRY
ANOTHER 48 HRS
GLORY
DAD
HONEY, I SHRUNK THE KIDS.
COCOON : THE RETURN
WILLOW
48 HRS
PROJECT X
BATTERIES NOT INCLUDED
AN AMERICAN TAIL
ALIENS
THE JOURNEY OF NATTY GANN
COMMANDO
STAR TREK III
UNCOMMON VALOR
KRULL
SOMETHING WICKED THIS WAY COMES
GORKY PARK
BRAINSTORM

 
Unreleased projects:
P.K. and The kid, Off beat, Between friends

 
FOND MEMORIES #7: 1983 – KRULL AND BRAINSTORM

FOND MEMORIES #7: 1983 - KRULL AND BRAINSTORM

Fond Memories is our step-by-step overview of James Horner’s career. We aim for it to be as comprehensive as possible. If you have additional information that is relevant to this episode, please do not hesitate to contact us. This seventh episode covers the year 1983 and especially Brainstorm and Krull, two early highlights of James Horner’s career. This episode covers the following scores: Krull (1983) Brainstorm (1983)   The success of Star Trek II: The Wrath of Khan (see episode 6) and 48 HRS, the two movies entrusted to the young James Horner by Joel Sill, vice-president of Paramount Pictures’ music department, were seminal influences in

IN COUNTRY: IN JEWELRY

IN COUNTRY: IN JEWELRY

  Many thanks to Regina Fake, for giving us the opportunity to write this article in the best possible conditions.  “There is no such thing as an absolute masterpiece. For my part, I like Cocoon, In Country and The Spitfire Grill very much indeed.” James Horner – 1998. We can never be sufficiently grateful to Douglass Fake and Roger Feigelson for finally releasing such a favourite Horner score, for which a place in our CD shelves had been reserved for a long time. For two decades we were certain that the brilliant music of Norman Jewison’s film deserved an album release. Intrada’s


 

This post is also available in: French

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