© IMDb
Randy Kerber (born September 25, 1958 in Encino, California) is a composer, orchestrator and keyboardist leading a prolific career in the world of cinema. In 1983 he also played on the album Morgane de toi by the French singer Renaud.
He was nominated for an Oscar in 1986 with Quincy Jones for the soundtrack to The Color Purple, and for the Grammy for his arrangement of the song Over The Rainbow by Barbara Streisand.
However, he has mostly played the keyboards on over 800 films, including Titanic, Forrest Gump and the first three Harry Potter films. He orchestrated more than forty films.
During his career, Randy Kerber worked with Michael Jackson, Julio Iglesias, Ricky Martin, Diana Ross, Marta Sanchez and Frank Sinatra.

Source: wikipedia

THE WORDS OF JAMES HORNER #2: TROY
FOR GREATER GLORY : THE TRUE STORY OF CRISTIADA
THE AMAZING SPIDER-MAN
BLACK GOLD
THE NEW WORLD
THE LEGEND OF ZORRO
FLIGHTPLAN
THE CHUMSCRUBBER
TROY
THE FORGOTTEN
RADIO
THE MISSING
HOUSE OF SAND AND FOG
BEYOND BORDERS
WINDTALKERS
THE FOUR FEATHERS
IRIS
A BEAUTIFUL MIND
HOW THE GRINCH STOLE CHRISTMAS
FREEDOM SONG
BACK TO TITANIC
TITANIC
THE DEVIL’S OWN
JADE
JUMANJI
APOLLO 13
CLEAR AND PRESENT DANGER
THE PELICAN BRIEF
SEARCHING FOR BOBBY FISCHER
EXTREME CLOSE UP

 
THE TODD-AO YEARS

THE TODD-AO YEARS

Todd-AO Scoring Stage, CBS Radford, Studio City. If you happen to carefully read the liner notes in your Horner albums, you must have noticed the name of this recording studio several times. The composer has indeed recorded more than forty scores there, or almost half his discography, from Swing Kids (1992) to Deep Impact (1998) and finally The Spiderwick Chronicles (2007). Let's go back to this historical place where the maestro's brilliant notes sounded in thousands. [divider]The origins of the Scoring Stage[/divider] In the 1920s, producer Mack Sennett, owner of Keystone Studios, master of silent films and the man who famously launched Charlie

JON KULL: “HONOR THE COMPOSER’S INTENT – MAKE SURE HIS MUSIC SOUNDS FABULOUS!”

JON KULL: "HONOR THE COMPOSER'S INTENT - MAKE SURE HIS MUSIC SOUNDS FABULOUS!"

To coincide with the opening of our collaboration section, we wanted to focus on a profession that is rarely promoted: orchestrator. We had therefore the great pleasure of interviewing Jon Kull, who worked with James Horner on scores including Avatar and The Amazing Spider-Man. The delicacy of his answers sheds light on the creation of orchestrations in film music.   How did you become an orchestrator in Hollywood? What is your background? After earning Bachelor's degrees in Composition and Piano Performance at the University of Colorado, I got into the Film Scoring Program at the University of Southern California. Along with being a

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