Tony Hinnigan is an accomplished woodwind player, and multi-talented musician. Born in the 50s in Glasgow, he arrived in London in 1972 with Mike Taylor. After studying at the Guildhall School of Music and the Royal College of Music, they formed the group Incantation in 1982, specializing in wind instruments of the Andes. The first albums and singles were a success in the United Kingdom.
Then, in 1985, he participated in the soundtrack of the film The Mission composed by Ennio Morricone… music that was nominated for an Oscar, a Golden Globe and BAFTA Awards. Therefore, it attracted the attention of film music composers such as James Horner, John Williams (Far & Away), and Michael Nyman, with whom he toured worldwide.
In 2003, Tony Hinnigan released an album where he performs cover songs from soundtracks he participated in: Camera: Reflections on Film Music.
Three years after James Horner’s passing, we thought we would bring together three interviews on The Mask of Zorro, whose soundtrack album was released twenty years ago, in October 1998. The rather short first interview was the introduction to a lengthy talk with the composer on Titanic. That discussion took place on 28 November 1997 during the recording sessions of the first Zorro score and the transcription was published as The Words of James Horner #4.The second interview dates back to the fall of 1998 and coincided with the album release. The third interview finds James Horner reminiscing about The Mask of
The end of 2017 was marked by the expanded editions of Troy (2CD) and Titanic (4CD). After the three interviews with James Horner, who plunged us into the heart of the score composed for James Cameron’s film, we publish the words of Titanic’s two voices: Sissel and Céline Dion. DtD) Dear Sissel, could you first explain to our subscribers your musical background, your career in Norway ?SK) I’d been singing in choirs. That's the only musical background I have. I sang in a children choir. That was a choir that sang all kinds of music. I started there when I was
When Jean-Baptiste asked me if I wanted to write something regarding Cristiada, I looked up the only two texts I have ever written regarding James. One in 2011 after the visit at Abbey Road for the old Hornershrine, and one after James passed away in 2015. Reading both now feels like there are ages between them, probably the only similarity being that I had trouble putting my feelings into words both times. I can remember the excitement and that overwhelming surreal feeling of having experienced something so out of the ordinary in 2011, but also the insecurity of probably having
Now that La-La Land Records has released a behemoth four-disc set that pretty much closes the book on James Horner’s Titanic, we publish an interview given by the composer to Cinéphonia Magazine in 2005. Again, please remember that the original interview tapes have been lost and so for this English text we only had the French publication to go by. As always, we have tried to stay true to James Horner’s voice. Cinéfonia Magazine: What do you remember today of the adventure that so profoundly impacted both the movie industry and film music ?James Horner : It’s always nice to go back to
To celebrate the release of Titanic in 4 CD edition by La-La Land (see our exclusive review here) we present an interview with James Horner never before published in English. This short interview was originally published in 1998 in the French magazine Dreams To Dream. One more unpublished interview in English, dating from 2005 at the release of the Special Collector's Edition DVD of the film, will follow. Recall: The Words of James Horner is a series of articles intended to republish some twenty interviews Didier Leprêtre and Jean-Christophe Arlon conducted between 1997 and 2006 and published only in French in
To celebrate the release of Titanic in 4 CD edition by La-La Land (see our exclusive review here) we publish an archival interview of James Horner published in 1998 in the French magazine Dreams To Dream. This interview was originally published in French, English and German in issue 10 of Dreams to Dream...s. Two other unpublished interviews in English and related to Titanic will follow: one very short on the conception of the album Back To Titanic, the other dating from 2005 at the release of the Special Collector's Edition DVD of the film by James Cameron. Recall: The Words of
La-La Land Records has given us a total surprise! After the disappointing 2012 Anniversary Edition that offered identical content to previously released albums, who expected a full version to be released? At that time, many imagined that the most suitable moment to publish all the as-yet unreleased music had come and gone, and the unique opportunity would be lost. Sure, the music had been remastered, but fans had come to expect so much more.This November 28, 2017 – just one week shy of exactly 20 years after the first album released on December 7, 1997 – our dream becomes reality
I still remember very well my first and only encounter with Simon Franglen. It was just before the Titanic Live concert in London. Throughout the afternoon during rehearsals I had seen him working alongside James Horner. The depth of their collaboration was evident. On many occasions, he had climbed the railings of the concert hall to access the back of the orchestra to ensure that everything was done properly with the synthesizers. A small detail that shows the perfectionism and professionalism of a musician. Minutes before the concert, while we each waited for friends in front of the Royal Albert hall, I
Imagine that the tragic June 22, 2015 tragedy never took place. Would the response to Southpaw and The 33 by critics, listeners and fans have been different? Southpaw is about a man’s difficult road to redemption after the death of a loved one. Although Horner often tackled death scenes throughout his long and distinguished career, it was usually just that: one or two scenes. One recent example is Ben’s Death from The Amazing Spider-Man (2012), especially from 2:30 to 3:40, as the music comments on Peter’s mourning of his deceased uncle. Movies that specifically deal with death are rarer in the
Many thanks to Joe Kara and Rocco Carrozza, for giving us the opportunity to write this article. “The first thing that I try and find is the emotional content of the film and the tone of the film, and what instruments, what sounds, are going to paint for me the emotions that I feel.” James Horner source: npr.orgUpon his first viewing of Patricia Ruggen’s film, The 33, James Horner was awash in many different emotions. We’re informed by the director’s revelation shortly after the composer’s disappearance that he had been very moved by the film’s story: “He just wanted to make movies that he
The official website for The 33 has released several minutes of James Horner’s film score. The music released is from the final rescue of the miners near the end of the film. All the composer's genius shines here with melodies that feature the talents of flutist Tony Hinnigan. The movie The 33, directed by Patricia Riggen, tells the story of the 33 Chilean miners who were trapped in a mine in the Atacama desert, 700 meters under the surface, when the mine caved in on August 5, 2010. For 69 days, the miners were stuck as rescue teams on the surface,
The following articles were written in May, shortly after the Nordic premiere of Pas de Deux in Stavanger. They have been left unaltered as a reminder of the bright and eventful time in the months preceding James Horner’s death, both for the musicians and fans alike. We also present here, our final interview with James Horner, conducted on the morning of May 14. 2015, together with Mari and Håkon Samuelsen. A huge thank you to Mari Samuelsen, Håkon Samuelsen, Torodd Wigum, Eric Rigler and Clara Sanabras for your time and your kindness in talking with me for these interviews. Also a
A month after James Horner’s tragic death on June 22, Film Score Monthly honors him with the following program: - An article written by Tim Burden with previously unpublished images like the photo at top picturing, left to right, James Thatcher, John Ryan, James Horner, David Pyatt and Richard Watkins. This photo was taken on the evening of the world premiere of Collage in late March 2015. The article features a conversation with Hugh Seenan, friend of the composer and principal French horn London Symphony Orchestra between 1984 and 1997. Here is an excerpt from that conversation: "James Horner was a wonderful and
The launch of the European Titanic-Live concert tour takes place this weekend in Lucerne (March 13-15), with subsequent performances at the Royal Albert Hall in London (April 27, 2015), Prague, Berlin, Vienna, Brussels and Paris.All concert dates are available by clicking on this link: Tour Dates. To our great surprise, James Horner will conduct the first concerts in Lucerne. He is accompanied by Simon Rhodes, Simon Franglen, Sissel, and Tony Hinnigan. Over 150 musicians (21st Century Symphony Orchestra) will perform James Horner’s renowned score and period classics from 1912, played by the legendary ensemble, I Salonisti. For an unforgettable experience, The
A month after conducting in London the music of Jean-Jacques Annaud's Wolf Totem, James Horner continues with the recording of the Chilean film The 33, from Mexican-American director Patricia Riggen (Girl in Progress – 2012), who brings together on screen Antonio Banderas, Lou Diamond Phillip, Gabriel Byrne, Juliette Binoche, Martin Sheen … The film is based on the mining disaster of 2010 in which a group of thirty-three miners have been trapped in the San Jose mine in Chile. The action will focus on the two-month effort to try to save them. The release is scheduled for 2015. Armen Ksajikian, prolific and
It has been exactly twenty years, since the period from 8 to 19 April 1994, when James Horner recorded at Abbey Road Studios with the London Symphony Orchestra, one of the most lyrical and romantic pieces of music in his career: Legends Of The Fall. This anniversary is an opportunity to return to this score, whose impact has preserved all its strength for two decades. After Glory (1989) and before Courage Under Fire (1996), the composer met up with the American director Edward Zwick for this adaptation of Jim Harrison's eponymous short novel, which brought together on screen Brad Pitt, Anthony
Intrada's release of Clear And Present Danger is a true surprise. As the core content of the score was on the Milan soundtrack album released the same year as the film (1994), we never thought that a complete score album would pop up any time soon. After the various releases in 2009 of Walt Disney Pictures soundtracks (Something Wicked This Way Comes, Honey I Shrunk The Kids, Natty Gann) and of the long-awaited In Country a few months ago, Intrada confirms its affection towards James Horner with the creation of this double CD album for Clear And Present Danger. As Douglas
The four seasons. Have you ever once linked an album to a season as, when you discovered it, it highlighted a period of the year, or because its colours particularly remind you of a cold winter evening or a dazzling summer day? By playing with all the colours of his musical palette, James Horner has this ability to give his scores very specific seasonal shades. Thus it can be entertaining to choose the season that would best fit one of his pieces or albums. At the beginning of spring, as the dark fades away from our days, we may feel an irrepressible desire
The official site on Tony Hinnigan, James Horner’s faithful collaborator since Willow, has embeded a video player device, which allows us to hear and see the artist more easily. Thus, many sequences have been added. This is an opportunity for us to introduce you to this site and to advise you to have a look at it: www.tonyhinnigan.com.News Tony Hinnigan recently referred to the concert at the world premiere of Titanic 3D as well as recording sessions of For Greater Glory. Movies There are very interesting anecdotes about the various films in which he participated. These films are so far listed up to
This post is also available in: French