To coincide with the opening of our collaboration section, we wanted to focus on a profession that is rarely promoted: orchestrator. We had therefore the great pleasure of interviewing Jon Kull, who worked with James Horner on scores including Avatar and The Amazing Spider-Man. The delicacy of his answers sheds light on the creation of orchestrations in film music.
How did you become an orchestrator in Hollywood? What is your background?
After earning Bachelor's degrees in Composition and Piano Performance at the University of Colorado, I got into the Film Scoring Program at the University of Southern California. Along with being a
