Photograph by Dan Goldwasser
Jon Kull is an American orchestrator.
Since 1991, he has participated in 150 soundtracks.
He regularly collaborates with James Newton Howard.
His first project with James Horner was Troy (2004).
THE WORDS OF JAMES HORNER #2: TROY
To celebrate the release of Troy in 2 CD edition by Intrada (see our exclusive review here) we publish a archival interview in English of James Horner published in 2004 in the French magazine Cinéfonia. These are actually two interviews that we merged for this publication. Dive into the creation of Troy! Recall: The Words of James Horner is a series of articles intended to republish some twenty interviews Didier Leprêtre and Jean-Christophe Arlon conducted between 1997 and 2006 and published only in French in the magazines Dreams To Dream and its successor Cinéfonia. Unfortunately, the English-language audio tapes of the interviews
JON KULL: "HONOR THE COMPOSER'S INTENT - MAKE SURE HIS MUSIC SOUNDS FABULOUS!"
To coincide with the opening of our collaboration section, we wanted to focus on a profession that is rarely promoted: orchestrator. We had therefore the great pleasure of interviewing Jon Kull, who worked with James Horner on scores including Avatar and The Amazing Spider-Man. The delicacy of his answers sheds light on the creation of orchestrations in film music. How did you become an orchestrator in Hollywood? What is your background? After earning Bachelor's degrees in Composition and Piano Performance at the University of Colorado, I got into the Film Scoring Program at the University of Southern California. Along with being a