Image Image Image Image Image Image Image Image Image Image

JAMES HORNER FILM MUSIC | September 19, 2017 |

Scroll to top

Top

JOE E. RAND

 
Joe E. Rand is an American music editor who worked on Deep Impact, Unbreakable, Hidalgo, Matrix, Jurassic Park III, The Bone Collector

Source: RecordingCareer.com

 

MAG 7 BLU-RAY OFFERS TOUCHING TRIBUTE

On the upcoming release of "The Magnificent Seven" on Blu-ray December 20th, one of the included bonus features focuses on the creation of the score, titled "Magnificent Music". In the piece you hear from director Antoine Fuqua, who recalls the story of how he and James Horner first discussed the film, Horner's passing, and of course when his team delivered the initial set of themes. Accompanying comments from the film's producers and Horner's team, including Joe Rand, Simon Rhodes, Jim Henrikson and of course Simon Franglen, are many shots of the orchestra recording and examples of both the Elmer Bernstein

SIMON FRANGLEN: "THERE’S NOT A DAY THAT I DON’T THINK OF JAMES."

I still remember very well my first and only encounter with Simon Franglen. It was just before the Titanic Live concert in London. Throughout the afternoon during rehearsals I had seen him working alongside James Horner. The depth of their collaboration was evident. On many occasions, he had climbed the railings of the concert hall to access the back of the orchestra to ensure that everything was done properly with the synthesizers. A small detail that shows the perfectionism and professionalism of a musician. Minutes before the concert, while we each waited for friends in front of the Royal Albert hall, I

THE MAGNIFICENT SEVEN: EXCLUSIVE FIRST LISTEN

It was difficult to start listening to The Magnificent Seven, as it confronted us with a whirlwind of feelings: the excitement that goes with the discovery of a new James Horner score, the sadness of our realization that this would be one of the very last times, and the fear of disappointment after having mused for over a year about the quality of this score that is already the stuff of legend because of the circumstances in which it came to be. Because of the tragic accident of June 2015, it is the last soundtrack with themes composed by the

JAMES HORNER'S 62ND BIRTHDAY: ALL IS THERE

Photo credit: © Sylvia Wells   James Horner left this world, leaving us stunned and inconsolable. It was the day after Father's Day, the second day of summer. After this tragic and absurd June 22, we ran as our headline, "All is Lost,” a track title from the beautiful The New World. Since the departure of the composer, we must learn to live in this new world. A world without James Horner. So many notes will not be written.   In an interview about The New World (and for now only available in French), James Horner said: "Timelessness is not what we are but what we

THE TODD-AO YEARS

Todd-AO Scoring Stage, CBS Radford, Studio City. If you happen to carefully read the liner notes in your Horner albums, you must have noticed the name of this recording studio several times. The composer has indeed recorded more than forty scores there, or almost half his discography, from Swing Kids (1992) to Deep Impact (1998) and finally The Spiderwick Chronicles (2007). Let's go back to this historical place where the maestro's brilliant notes sounded in thousands. In the 1920s, producer Mack Sennett, owner of Keystone Studios, master of silent films and the man who famously launched Charlie Chaplin's career, moved his production


 

 

 

 

 

This post is also available in: French