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JAMES HORNER FILM MUSIC | March 26, 2017 |

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SIMON RHODES

© abbeyroad.com
Simon Rhodes joined Abbey Road Studios in 1987 after completing a Degree in Physics and Music. As a Senior Recording dates Engineer, Simon is internationally respected for his versatility and exemplary standards, throughout the film and music industries.
Simon Rhodes has recorded over 100 film scores including Avatar and the first two Harry Potter soundtracks. 

Source: wikipedia eclipse abbeyroad

 

MAG 7 BLU-RAY OFFERS TOUCHING TRIBUTE

On the upcoming release of "The Magnificent Seven" on Blu-ray December 20th, one of the included bonus features focuses on the creation of the score, titled "Magnificent Music". In the piece you hear from director Antoine Fuqua, who recalls the story of how he and James Horner first discussed the film, Horner's passing, and of course when his team delivered the initial set of themes. Accompanying comments from the film's producers and Horner's team, including Joe Rand, Simon Rhodes, Jim Henrikson and of course Simon Franglen, are many shots of the orchestra recording and examples of both the Elmer Bernstein

SIMON FRANGLEN: "THERE’S NOT A DAY THAT I DON’T THINK OF JAMES."

I still remember very well my first and only encounter with Simon Franglen. It was just before the Titanic Live concert in London. Throughout the afternoon during rehearsals I had seen him working alongside James Horner. The depth of their collaboration was evident. On many occasions, he had climbed the railings of the concert hall to access the back of the orchestra to ensure that everything was done properly with the synthesizers. A small detail that shows the perfectionism and professionalism of a musician. Minutes before the concert, while we each waited for friends in front of the Royal Albert hall, I

COLLAGE – THE LAST WORK – EXCLUSIVE REVIEW

It is only one year and a half after its world premiere performance in London that Collage is at last brought to the general public’s knowledge on a dedicated album: Collage – The Last Work. Recorded in London on May 30th, 2015, Collage is indeed James Horner’s last recording and his last concert work. A few weeks after we learnt about his passing, it was revealed that James had composed suites and themes for Antoine Fuqua’s latest film The Magnificent Seven, based on the script only. So it would appear that those suites are James Horner’s last work, at least

THE MAGNIFICENT SEVEN: EXCLUSIVE FIRST LISTEN

It was difficult to start listening to The Magnificent Seven, as it confronted us with a whirlwind of feelings: the excitement that goes with the discovery of a new James Horner score, the sadness of our realization that this would be one of the very last times, and the fear of disappointment after having mused for over a year about the quality of this score that is already the stuff of legend because of the circumstances in which it came to be. Because of the tragic accident of June 2015, it is the last soundtrack with themes composed by the

EXCLUSIVE: A CD FOR JAMES HORNER’S COLLAGE

It has been a year now that so many of you have inquired about a release of Collage. We just received information that it will be physically released this fall. We cannot tell you more because the record label naturally prefers to keep all the information for its official announcement in a couple of weeks. Just know that this album will be full of surprises!   Collage was recorded by Simon Rhodes on May 30, 2015, with The London Philharmonic Orchestra, the four horn players (Richard Watkins, David Pyatt, John Ryan and James Thatcher), conductor Jaime Martin and composer James Horner. It was

JAMES HORNER'S 62ND BIRTHDAY: ALL IS THERE

Photo credit: © Sylvia Wells   James Horner left this world, leaving us stunned and inconsolable. It was the day after Father's Day, the second day of summer. After this tragic and absurd June 22, we ran as our headline, "All is Lost,” a track title from the beautiful The New World. Since the departure of the composer, we must learn to live in this new world. A world without James Horner. So many notes will not be written.   In an interview about The New World (and for now only available in French), James Horner said: "Timelessness is not what we are but what we

INFORMATION ON SOUTHPAW

Information regarding the soundtrack album to Antoine Fuqua’s film Southpaw is disseminated little by little. We collect the known elements in this article. Sony Classical has confirmed that an album of the music composed by James Horner will be released on 24 July.   The track listing is as follows: 1. The Preparations 2. A More Normal Life 3. A Fatal Tragedy 4. The Funeral, Alone… 5. Suicidal Rampage 6. Empty Showers 7. Dream Crusher 8. A Cry for Help 9. House Auction 10. A Long Road Back 11. Training 12. How Much They Miss Her 13. Hope vs Escobar 14. A Quiet Moment…   When meeting with James Horner last November, the composer had spoken about the film

TITANIC LIVE AT ROYAL ALBERT HALL: A NIGHT TO REMEMBER

Roughly a year ago, when Titanic Live was first announced, we knew this was an event not to be missed. This is the most popular soundtrack composed by James Horner, and to see it performed live in Royal Albert Hall seemed like it would be a very memorable experience. We were not disappointed. 27 April 2015. It is a little past noon when we enter the Royal Albert Hall, an imposing and majestic concert hall built almost 150 years ago, hosting over the course of decades many music legends: Richard Wagner, Arthur Rubinstein, The Beatles, Bob Dylan... The Royal Philharmonic Concert Orchestra,

TITANIC LIVE: JAMES HORNER IN LUCERNE

The launch of the European Titanic-Live concert tour takes place this weekend in Lucerne (March 13-15), with subsequent performances at the Royal Albert Hall in London (April 27, 2015), Prague, Berlin, Vienna, Brussels and Paris. All concert dates are available by clicking on this link: Tour Dates.     To our great surprise, James Horner will conduct the first concerts in Lucerne. He is accompanied by Simon Rhodes, Simon Franglen, Sissel, and Tony Hinnigan.  Over 150 musicians (21st Century Symphony Orchestra) will perform James Horner’s renowned score and period classics from 1912, played by the legendary ensemble, I Salonisti. For an unforgettable experience, The

PAS DE DEUX: AN INSIDE LOOK - PART 2

Norway, home to Hakon and Mari Samuelsen must be a welcoming country if all its inhabitants are as generous as our two talented musicians. Indeed, Mari and Hakon spontaneously invited us to come to Liverpool to attend a part of the adventure Pas de Deux. And what an adventure! Wednesday evening, we were invited to a rehearsal of the work composed by James Horner. The session lasted an hour in a Liverpool Philharmonic Hall, whose renovation was almost complete. Artistic Director Sandra Parr reassured us by confirming us that everything would be ready for the big premiere the following evening.     Members

THE TODD-AO YEARS

Todd-AO Scoring Stage, CBS Radford, Studio City. If you happen to carefully read the liner notes in your Horner albums, you must have noticed the name of this recording studio several times. The composer has indeed recorded more than forty scores there, or almost half his discography, from Swing Kids (1992) to Deep Impact (1998) and finally The Spiderwick Chronicles (2007). Let's go back to this historical place where the maestro's brilliant notes sounded in thousands. In the 1920s, producer Mack Sennett, owner of Keystone Studios, master of silent films and the man who famously launched Charlie Chaplin's career, moved his production

AUTUMN NEWS

In this article we have compiled some information regarding the projects for 2015. We remind you that the nearest major event is the world premieres of Pas de Deux, the double concerto for violin and cello, on 12 and 13 November in Liverpool.   Since the news of James Horner's involvement in the documentary Aviation: The Invisible Highway last July, we have received very few information. The great composer Peter Boyer, involved in the project as orchestrator, shared his enthusiasm on his facebook page: Then the composer and arranger Steve Sidwell, who has worked with Robbie Williams and George Michael, shared a photo

INTERVIEW WITH JIM HENRIKSON

There are names you will often run into on James Horner’s album covers: Ian Underwood, Tony Hinnigan, Simon Rhodes ... For 25 years one of them has been present almost every time, proof of a collaborator who has become indispensable. James Horner speaks of him thus in the liner notes to the soundtrack album for Troy: "my wonderful friend without whose guidance and wise counsel I would be lost." This close and faithful staff member is the legendary music editor, Jim Henrikson. Prior to working with James Horner, he participated in projects for television (Star Trek: The Original Series) and classic


This post is also available in: French